Master Underwater Video: The RAID Action Camera Course with Jeff Goodman (Part 9 of 9)
Over the coming weeks, Jeff Goodman shares in part some key sections from his RAID Action Camera Video Course. Jeff has selected 9 extracts from the Underwater Video Course which will be published here at Scubaverse.com.
Part 9: An Introduction to Editing
Although for this course we are not delving too deeply into editing, it is important that you know some basic principles. I go through some basics of editing just to get you started, but I advise you to consider a separate course or some instruction to develop greater editing skills.
Editing is the other half of filmmaking and is equally as important as the filming itself.
At first, one may think that if the video footage is really good, then that’s the hardest part done and the rest is just a matter of going through the motions of putting it all together into sequences. Not quite!

Throughout my career, I have very occasionally seen great footage absolutely ruined by unsympathetic and bad editing. Conversely, I have seen terrible footage ‘rescued’ by a skilled editor. Not that editors can put in shots that simply do not exist, but they can manipulate sequence order, content and style to miraculously create a very watchable product from otherwise poor original material. You could put numerous editors in a room, all with the same video footage, and at the end of the day they could easily each make very different end products. It’s a bit like giving a cook a table full of ingredients without any recipe to follow and seeing what gets made. In all probability, it won’t be what you expected.

If you are doing camera work and editing, then you need to talk to yourself about what it is you are trying to achieve. Not so easy. As a camera person, you are in great danger of using a shot in a sequence simply because it took a great deal of effort to get in the first place. Try not to be precious about it. Once you get to the edit stage of your production, you need to mentally remove yourself from the filming memories and look at the ‘rushes’ (original clips) you have in the cold light of day, using only the material that is going to look good and fit well within the sequences you are about to create.
But even then, the story is not over. There is still all the fun of music, script, narration, sound effects, picture grading, titles and presentation to think about. But not for this course.
Find the full course at diveraid.com/action-camera.




















