Connect with us
background

Photo / Video News & Reviews

Underwater Photography in Manado – more than just hype?

Published

on

On the 11th of November 2013 I found myself at Heathrow airport with what felt like an extraordinary amount of baggage.  I was off to photography mecca Manado, Indonesia.  It promised to be a photography fest of all that was weird, wonderful and often strangely hairy.  This was my first visit to what has earned itself the critter capital of Indonesia.  It was fair to say, I had high expectations for the quality of the diving and photography…which always makes me slightly anxious!  Would it live up to all the hype?

Manado has become incredibly popular with underwater photographers.  Many an award-winning photo has been taken in Manado by some of underwater photography’s biggest names.  And new species are still being discovered throughout this region.  Bio diversity is a photographer’s friend (as well as exciting the diving in me) and no where has quite the same mix of miniscule marine life and unusual species as Manado… but is there anything new for a first time photographer to discover?

OLYMPUS DIGITAL CAMERA

The challenge was set and my plan was simple.  This was a 2 stop trip.  The first 6 nights were spent at Tasik Ria dive resort, which gave me a chance to photograph the walls of Bunaken, and then onto KungKungan Beach Resort in Lembeh.  I was going armed with as much underwater photography kit as my 30kgs allowance permitted.   I have been shooting underwater since the days of Nikonos and film.  In this digital age, my camera of the moment is the Olympus OMD-EM5.  The image quality and lens choice rivals many entry-mid level SLR options.  Put it in the beautifully engineered Nauticam housing and you have a powerful, yet small set up for travel.  I took a 12-50mm kit lens, specifically for shooting on Bunaken.  But it was the 60mm macro lens that saw the most action.  Added to this was a SubSea +10 dioptre for super macro and 2 YS-01 strobes.

So what was the diving really like?  In Bunaken, the hard corals here are healthy and there are more turtles than you can poke a stick at.  But I was mainly impressed by the quality of the macro life and muck diving this side of Manado offered.   Without a doubt, Lembeh to the east of Manado is the area that is most famed for muck diving.  But in my opinion, if you skip the western side of the Manado peninsular, you will be missing out on some fantastic photo ops.   The combination of walls, hard coral gardens and muck diving is highly productive for a photographer, and means you can work wide angle opportunities as well as macro and super macro.

It didn’t take long for the unique sightings to rack up, as well as the number of shots. It was at Critter Circus 2 (under 5 mins from Tasik Ria!) that I saw my first ever blue ringed octopus.  There were ribbon eels and tiny painted frogfish.  Yet more thrilling were the species I had not even considered!  This was the first time I have seen skeleton shrimp.  These delightfully ugly transparent shrimp appear to walk upright, like some sort of zombie army, and became an unexpected, fave subject.

By the time I reach KBR, the subjects seemed to be getting smaller.  The dioptre had become my new best friend underwater!   It was genuinely helpful photographing subjects that were under 1cm big!  If you have not used one before, I would heartily recommend adding a dioptre into your kit bag.  In a location such as Manado you will find yourself turning to it time and time again.  The + rating of each lens refers to the lens’ magnification.  This magnification reduces the focal distance of the lens, allowing you to get much, much closer to your subjects.  Put simply, a dioptre allows you to fill the frame, and your image, with a small subject.  Used correctly, a dioptre shot will produce lots of lovely bokeh, with a narrow depth of field and plenty of soft fuzzy background.  It can be tricky to get the focus in the correct place so practice, practice, practice!

OLYMPUS DIGITAL CAMERA

Perhaps one of the most photogenic subjects in Lembeh are the pygmy seahorses.  There are several species of pygmy seahorse, including the oh so pretty bargibanti.  However, they are not the easiest of beasts to photograph.  In my experience, they seem to favour big sea fans, which by their very nature waft in the surge or current.  Getting that killer shot at 28m as the seahorses gently swings back and forth is a photography work out!  And as is so typical of Indonesia, there is not just this one type of pygmy sea horse to snap; there are Denise, Pontoh’s, Satomi… even Lembeh sea dragons.

The list goes on!  Lembeh in particular is especially well known for its frogfish. These do seem to be everywhere.  And what differences in size!  The painted frogfish are tiny, whereas their giant relatives live up to their names.  For me the singular highlight of the trip will always be the hairy frogfish.  Why, oh why, oh why so hairy?

I was not fortunate enough to see a Rhinopia, perhaps the most elusive camouflage fish of its kind. But no photography destination should ever be that perfect.  I am, after all, taking photos of wild animals.  As photographers we are responsible for diving in a manner that respects the environment, and that includes the stuff living there!  Sadly, I did see evidence of a distinctly “touchy feely” attitude toward the marine life.  As a photographer, I want to see subjects in their natural environment, and not stressed by manhandling, poking or prodding.  It takes discipline, but every photographer should say no to unnatural poses.

OLYMPUS DIGITAL CAMERA

So in the end did I think that the underwater photography in Manado lived up to all that hype?   You bet it did!   I am still working my way through the 4000+ pics I took over 11 diving days and each time I open my computer, I get a tingle down my spine as I remember the diving in Lembeh and Bunaken.   I have no doubt that for someone who has not dived there before, you will see species for the first time.  And then the challenge for you as a photographer is to find a new way to shoot it.

OLYMPUS DIGITAL CAMERA

Every photographer has their dream list of critters, those exotics beauties that get all the headlines.  And yet there were many, many more somewhat “common” critters that made for outstanding photos…gobies whizzing up and down the whip corals or chomping on shrimp… crabs in every imaginable colour and camouflage… razor fish surging around mooring lines… striped catfish tumbling along the sand… mandarin fish dancing with their mates… these are just some examples of the marine life I found impossible to swim past time and time again.

It is simply a privilege to dive somewhere so remarkable. There is no question that this is a special environment, worth protecting.  Conservation is a group effort.  It will take everyone to ensure that Manado remains a location that goes beyond the hype.  So beloved of so many divers, I hope Manado continues to yield outstanding photo opps time after time, year after year.   I know I cannot wait to go back!

 

Article by Mario Vitalini

www.fishinfocus.co.uk 

Mario Vitalini has been involved in photography from a young age (he started in front of the camera as a baby model, posing in Colombia’s first ever nappy print ad campaign). As soon as he started diving in 1989 he grabbed a Nikonos V and started taking photographs underwater, and hasn’t looked back. After working at Cameras Underwater and then Ocean Leisure Cameras, Mario is now the lead instructor for fishinfocus underwater photography, a company that offers a complete and flexible range of underwater photography courses for all levels and cameras. fishinfocus run regular one day underwater photography courses (including private courses) in Guildford, Surrey, UK, and in partnership with Oxygene Surrey (the dive centre where fishinfocus is based) stock a wide range of underwater photography equipment, including cameras, housings and accessories. For more information, visit www.fishinfocus.co.uk

News

Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI

Published

on

insta360

Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.

Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.

The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.

insta360

Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.

“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”

Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.

Unparalleled Image Quality, Day and Night

The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.

Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.

A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.

Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.

Ready for Action Anytime, Anywhere

The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.

The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.

An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.

Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.

Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.

Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.

insta360

Smarter, Easier Capture & Editing

Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.

Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:

  •   4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
  •   Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
  •   Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
  •   Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
  •   Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.

Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.

The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.

Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.

Available Now

Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.

www.insta360.com

Continue Reading

News

Introducing the Nauticam Super Macro Converter 3

Published

on

Nauticam SMC-3

The SMC-3

Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.

SMC-3 Specifications

Dimensions OD 70mm x H 32mm 
Weight in Air 307g
Weight in Water 215g
Max Magnification (*1) 2.4x (lens dependent)
Working Distance (*1) 51-103mm
Lens Construction 3 elements in 2 groups
Lens Coatings Anti-reflection Coating
Mount Thread Diameter M67
Depth Rating

100mm

Nauticam SMC-3

Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

Key Features

  • Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
  • Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
  • Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
  • Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
  • Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.

Uncompromised Optical Quality

The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.

Stunning Magnification

When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.

Improved Sharpness and Contrast

As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.

Superb Light Transmission

All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.

Optimized for Autofocus

By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.

Nauticam SMC-3

Ample Working Distance

Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.

Resolution

High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.

Smooth Bokeh

The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.

Avoiding Diffraction

Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.

For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.

www.nauticam.com

 

Continue Reading

E-Newsletter Sign up!

Instagram Feed

Popular