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Scubaverse Underwater Photographer Interview: Pete Bullen

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In an ongoing series, Scubaverse.com’s Underwater Photography Editors Nick and Caroline Robertson-Brown talk to underwater photographers from around the world that they admire. This interview is with Pete Bullen.

I took my first photograph on a little plastic Ilford copy of a box brownie. I’d been given it for Christmas and was instantly hooked. On Boxing Day it snowed heavily and I was struck by how beautiful the fields, trees etc. looked covered in pristine snow and wanted to capture it. I cocked it up and every shot was vastly overexposed but I still remember the feelings; wanting to capture that moment of beauty, the agony of waiting for the exposed film to come back and the let-down of the poor exposure. But the feeling of wanting to capture beauty has never left me and 50 years later I still take photographs for the same fundamental reasons.

Nowadays I share my love of photography both on land and underwater by offering private guiding and coaching to beginners and improvers here on Gozo, Malta, where I live. I have offices in two dive centres on the island and my guests get all the benefits of a well-run dive centre with the added benefits of private guiding at photographer’s pace to the best sites at the best times. You can find out more about my work at www.oceanfoto.co.uk, www.facebook.com/pete.bullen1, on Instagram: @Oceanfoto and TripAdvisor: www.tripadvisor.co.uk/Attraction_Review-g190317-d12498897-Reviews-Oceanfoto-Victoria_Island_of_Gozo.html


N/C: How did your underwater photography start?

PB: Being a keen land photographer it was natural for me to extend that interest below the waves very (too) quickly after I learned to dive. I started with a Sea & Sea MX5, then borrowed a Fuji F30, moved on to a Canon G9 and finally moved to M4/3 mirrorless cameras. Nowadays I shoot Olympus EM5, EM5Mk2, EPL5 plus a variety of lenses, strobes, snoots etc.

N/C: What is your favourite u/w camera equipment (past & present) & why?

PB: I love my EM5, the weight and size together with its excellent performance make it my go to camera although if I’m planning a super small macro shoot I may well take my EPL5 as its smaller format can help me get closer to the little stuff.

N/C: What would be your advice to anyone new to underwater photography?

PB: To get great shots that you can repeat you need all the skills; you have to have excellent buoyancy control, you have to understand both how your camera works and what its limitations are. Learn patience and take full control! I almost never shoot in any mode other than manual and that includes manual control of the strobe(s).

N/C: What, or who, has been your single biggest inspiration for your underwater photography?

PB: Alex Mustard is my hero, full stop, he’s a wonderful photographer, a fantastic eye and he understands the animals and environment he works with/in.

N/C: What image are you most proud of and why?

PB: I took a commissioned shot for one of our local dive centres that wanted to advertise their offering of both Freediving and Scuba. We shot it under the Azure window, I nailed it with only 5 exposures and we also rescued an idiot who had thought jumping off the Azure window was a good idea. He broke his back in three places and we probably saved his life. I love the shot plus the memories around it.

N/C: Where is your favourite dive location, and is it for the photography?

PB: I’ve dived in far too many places around the world to really have a favourite but besides Gozo, which I obviously love, I have had some great holidays at Marsa Shagra. I love the freedom to go back to the same spot and the same fish time and time again. Getting to know your subjects and planning around sunlight and angles thereof is a great way to work.

N/C: What are you views on marine life manipulation, moving subjects?

PB: Don’t do it! If you have to move a subject to get the shot then move on and find a shot that is natural. I’ll wait 15 minutes for a seahorse to lift its head if I have to.

N/C: What do you look for when you are making your images?

PB: I think that photographs should fall into one of three categories, they should either tell a story, have an artistic “wow” factor or be good for species ID, I always ask myself why I am taking the shot and if the framing/subject etc. doesn’t meet one of those categories it’s not worth taking.

N/C: What motivates you to take u/w photos?

PB: It’s a fantastic world down there, we owe it to the rest of the world to show how beautiful and delicate it is. I try to be an ambassador for a world that can’t speak for itself.

N/C: If you could photograph any one thing/place what or where would that be?

PB: I have been trying for 6 years to photograph one of our fairly rare Mola Mola, the only one I’ve ever seen was in Swanage bay, swimming round the Fleur, I was a baby diver with less than 20 dives to my name and no camera. One day I’ll get a good series of shots!

 

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

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Spooktacular Underwater Adventure: Oyster Diving’s First Halloween Scuba Party at Mercers Lake

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halloween

Last Thursday, Oyster Diving transformed Mercers Lake into a hauntingly unforgettable underwater realm for their inaugural Halloween Scuba Party. Approximately 20 intrepid divers plunged into the darkness, weaving through a mesmerising scene of spectral decorations, glow sticks, and eerie underwater pumpkins.

halloween halloween

After the thrilling night dive, participants gathered to feast on a ghoulish spread of pumpkin soup, chilli con carne, and decadent fudge brownies, perfect fuel for the frightful festivities.

halloween

With a resounding success, Oyster Diving is excited to announce plans for this event to become an annual tradition. Next year, look forward to a fully licensed bar and live music, promising an even spookier celebration under the moonlit waters.

halloween

Join us next Halloween for an experience that promises to be a haunting delight!

Find out more about Oyster Diving at oysterdiving.com.

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Marine Life & Conservation

Shark Trust launches Oceanic 31 Shark Art Auction

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After a two-year tour of UK art galleries, community spaces and aquariums, the Shark Trust’s acclaimed Oceanic31 exhibition takes its final bow at the Royal Geographical Society later this month. And the unique collection of artwork, depicting 31 species of oceanic sharks and rays, donated by 31 artists, is now open for bids from art lovers and shark enthusiasts. The online auction, launched today, will close on the 7th December at 8pm (BST). The money raised will support the Shark Trust Oceanics Programme.

People can now bid on 27 of the artworks by visiting this website:

https://superstars-auctions.com/sharktrustauction

It is a chance to own a beautiful piece of original art and to support the Shark Trust. The timing of the auction also means that these would make a very special Christmas gift for any shark-lover.

The diversity of pieces mirrors that of the sharks and rays they represent. You can bid on paintings, digital creations, sculptures, mixed media and more. You can pick your favourite artist or species of shark. Or you can select the perfect artwork to make a statement in your home or office. Whichever you choose, you will be supporting the work to protect these amazing animals.

One of the pieces of art has been selected to be auctioned live by Steve Backshall at the For the Love of Sharks event at the Royal Geographical Society in London on the 29th November. In addition to this, two further pieces will be raffled at this event, giving people a chance to win an incredible piece of shark art. For the Love of Sharks is the Shark Trust’s flagship evening. A night to celebrate sharks. Steve Backshall is the headline speaker at this event that will see other prominent shark advocates join him on stage.

Tickets for the event can be snapped up here:

https://thesharktrust.org.uk/Event/flos24

Those that would like to see the Oceanic 31 exhibition have one final chance. It is being displayed at the Pavilion at the Royal Geographic Society from 26th November until the 7th December. Entry is free.

Find out more here:

https://www.rgs.org/events/upcoming-events/oceanic-31

 Paul Cox, Shark Trust CEO, Said “This exhibition has given us the opportunity to reach out to a new audience. And inspire more people with the wonderful sharks and rays on which our Big Shark Pledge campaign is based. We are immensely grateful to the 31 artists who have worked so hard to create these works.”

Bid for your favourite Oceanic 31 artwork here:
https://superstars-auctions.com/sharktrustauction


Banner Image: Smooth Hammerhead by Alicia Hayden

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