Photo / Video News & Reviews
Scubaverse Underwater Photographer Interview: Lisa Collins
In an ongoing series, Scubaverse’s Underwater Photography Editors Nick and Caroline Robertson-Brown talk to underwater photographers from around the world that they admire. In this blog: Lisa Collins…
I am a self-taught underwater photographer who has been diving for 22 years and taking photographs for 18 of those. I started off with a little Sea & Sea film camera to show my young daughters how beautiful it was under the ocean. Over time, and with lots of practice, I found I had a talent for both underwater photography and writing about my diving adventures, finally becoming a professional underwater photojournalist 7 years ago, which I felt was a great achievement and something I am very proud of.
Most of my early diving was done in the UK, where I live, but now I am lucky to travel the world to dive and take underwater photographs. I am inspired by different cultures, oceans and marine life you find nowhere else on the planet. Every dive I do makes me happy. There are never any ‘bad’ dives. I love it when I see a fish I have never seen before.
I am really happiest when I am diving in a turquoise clear ocean, with healthy reefs and marine life population. My favourite dive destinations are the Turks & Caicos Islands, Indonesia and Hawaii.
My life changed 6 years ago, after divorce, when I formed INON UK with my underwater photography mentor, Steve Warren. He sold me my first underwater camera, and every other one since, but also provided me with the support and encouragement to progress my photography and writing. We also designed two underwater photography courses. I get great pleasure out of passing on my knowledge whilst teaching our Level One Underwater Photography and Level Two Advanced Lighting courses.
N&C: How did your underwater photography start?
LC: As you can see from above, it was the urge to show my daughters the beautiful underwater world that inspired my to take up underwater photography.
N&C: What is your favourite u/w camera equipment (past & present) & why?
LC: I loved my Nikon D70 camera and love my current Canon EOS 6D in an INON X-2 housing. I have used INON for many years – I purchased my Z-240’s 16 years ago. I believe in the quality of their products, which is why I was happy to form a company to distribute them in the UK. I have now fallen in love with their Z-330 strobes, and am waiting for the time INON release snoots to go with the new strobe. Snoots are another favourite piece of equipment. I also love my compact Canon S95 and S120’s cameras and INON wet lenses, for the sheer ability of being able to take a range of different subjects from fisheye to supermacro, on one dive.
N&C: What would be your advice to anyone new to underwater photography?
LC: My advice for new underwater photographers is to take a course to get the most out of your photography, and to stop you getting into bad habits. A short course will help new photographers tremendously. We spend a lot of money on dive trips, and want to capture the best images possible to remember those dives. Learning the basics of underwater photography can help provide you with memorable images rather than disappointing ones. Above all else, practice is the key to good underwater photography.
N&C: What, or who, has been your single biggest inspiration for your underwater photography?
LC: My daughters, Megan and Camilla, inspired me to first start taking photographs and to continue showing them how beautiful the underwater world is. Mateusz, my partner and dive buddy is also an inspiration to me as he is also my model, and shares in my joy of images taken straight after dives.
One of my greatest inspirations has been my friend and business partner, Steve Warren, who introduced me to underwater photography and great underwater photographers, giving support and technical advice, whilst being incredibly encouraging of my work.
Above all, I am inspired by the incredible reefs and marine life I am lucky to dive with all over the world.
N&C: What image are you most proud of and why?
LC: The images I am most proud of are my very first competition winner on film, back in 2000 – an image taken in a swim through with a small window, off of Grand Cayman, which gave me the confidence to pursue my underwater photography career, and images I have taken of my two (now grown-up) daughters, whilst diving with me. It is a kind of full circle that I started to take photos to show them the underwater world when they were very small, inspiring them both to become divers at age 10 and 12, and for them to still want to dive with me now when they are in their mid to late 20’s.
N&C: Where is your favourite dive location, and is it for the photography?
LC: I get asked my favourite dive destination a lot. This isn’t as easy a question as it looks. I love so many dive destinations for the experiences I have, not just because of the place. If I was pushed, I would say anywhere in Indonesia for the beauty and variety of the dive sites, especially for underwater photography. Hawaii would be another choice for the amazing amount of endemic species and varied diving that can be had. The Turks and Caicos would also be a favourite, for the pure stunning beauty of the islands, the amazing visibility and beautiful turquoise sea.
N&C: What are you views on marine life manipulation, moving subjects?
LC: This is actually a subject I am very passionate about and have written articles about previously. When we dive and take underwater photographs, we are quests in the marine habitat. We should respect that habit as if we were visiting friends. We would never dream to move furniture in a friend’s house just because we think it would be more visually appealing. The same should be said of the underwater marine habitat. Marine life is very delicate and mostly live where they live to protect themselves from predators. Touching them or moving them away from where they are, leaves them at great danger of being hurt or exposed prey.
We, as underwater photographers, are ambassadors of the ocean and should protect it in every way possible. By moving subjects to get a better image, is not doing this. Manipulating subjects, such as stressing them so they display a certain behaviour – i.e. frogfish yawning is a threat display which can be caused by stressing the animal – is not acceptable. We should observe and if an animal seems stressed, move away from them and find another subject. We should NOT move marine life or manipulate them.
N&C: What do you look for when you are making your images?
LC: When I take my images, I look for chance encounters which I can capture to the best of my ability in a natural environment – i.e. without manipulation or movement of the subject. I like taking macro, super-macro and wide angled images equally as much. For wide angled, I like to shoot vertically and try to shoot the sun or an illusion of the sun, even if it is a cloudy day. Close focus wide angle would probably be my favourite technique if absolutely pressed to choose.
For macro and super-macro, I look for subjects in a good position and with high contrast, and, preferably water behind them, to make them stand out. When I am writing articles and taking underwater photographs specifically for that article, I look for interesting images which show a wide range of the dive site. If I know the site is good for wide angle and macro, I will use my Canon 6D for wide angle shots, and also take a small compact camera – either Canon S95, S120 or Olympus TG5 – set up with one INON S-2000 strobe, attached to my BCD, to take macro shots.
N&C: What motivates you to take u/w photos?
LC: My motivation to take underwater photographs is firstly to bring to life the underwater world for both divers and non-divers, spreading the beauty through my published images and articles. Secondly, I am motivated through the teaching of underwater photography. No two dives are ever the same, even the same dive site on the same day, and no two images are the same. There is always something new to see, something new to learn, and I love to pass this on to my students.
N&C: If you could photograph any one thing/place what or where would that be?
LC: There is one thing I would love to photograph and that is whales underwater. I have seen them many times from boats, and have heard them very loudly underwater when diving in Hawaii, but never been close enough in the water to photograph them. This is a dream of mine that, one day, I hope will come true.
Find out more about Lisa Collins by clicking here.
News
Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI
Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.
Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.
The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.
Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.
“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”
Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.
Unparalleled Image Quality, Day and Night
The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.
Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.
A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.
Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.
Ready for Action Anytime, Anywhere
The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.
The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.
An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.
Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.
Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.
Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.
Smarter, Easier Capture & Editing
Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.
Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:
- 4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
- Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
- Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
- Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
- Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.
Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.
The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.
Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.
Available Now
Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.
News
Introducing the Nauticam Super Macro Converter 3
The SMC-3
Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.
SMC-3 Specifications
Dimensions | OD 70mm x H 32mm |
Weight in Air | 307g |
Weight in Water | 215g |
Max Magnification (*1) | 2.4x (lens dependent) |
Working Distance (*1) | 51-103mm |
Lens Construction | 3 elements in 2 groups |
Lens Coatings | Anti-reflection Coating |
Mount Thread Diameter | M67 |
Depth Rating |
100mm |
Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Key Features
- Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
- Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
- Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
- Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
- Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.
Uncompromised Optical Quality
The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.
Stunning Magnification
When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.
Improved Sharpness and Contrast
As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.
Superb Light Transmission
All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.
Optimized for Autofocus
By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.
Ample Working Distance
Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.
Resolution
High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.
Smooth Bokeh
The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.
Avoiding Diffraction
Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.
For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.
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