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Scubaverse Underwater Photographer Interview: Jett Britnell

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In an ongoing series, Scubaverse’s Underwater Photography Editor Nick Robertson-Brown talks to underwater photographers from around the world that he admires. In this blog: Jett Britnell


NRB: Tell us a little about yourself

JB: I was five years old when I happened to watch an early 60s TV episode of a scuba diving adventure show called, Sea Hunt. I felt so inspired that I grabbed a war surplus gas mask that I had begged my dad to buy me at the local county fair, and ventured out into my backyard. Our backyard had a large iron cauldron that was filled with water and orange goldfish as a lawn feature. My gas mask had goggles and a long hose attached to a canister. Surely, it would work underwater. After putting on the gas mask I heaved myself up on the lip of the cauldron and dunked my head underwater. Not only could I clearly see the goldfish swimming, but I also noticed the flakes of rust lining the bottom of the caldron. Soon enough, water began seeping into the mask. “No worries”, I thought, “I have a breathing hose!” Of course, the gas mask flooded with water and I had to quickly abort my underwater mission. Clearly, something was calling to me as all through my childhood I was hypnotically drawn to scuba diving either through watching TV documentaries such as The Undersea World of Jacques Cousteau or thumbing through the pages of National Geographic to follow the shark diving exploits of Australia’s famous shark divers, Ron and Valerie Taylor.

As a professional scuba diving photojournalist based in Vancouver, Canada, I have achieved what is known in explorer circles as being the “Holy Trifecta!” as I’m a Fellow in three of the world’s most prestigious explorer societies, The Explorers Club (New York), the Royal Canadian Geographical Society (Ottawa) and the Royal Geographical Society (London). I’m also a member of the Ocean Artists Society, an Ambassador in EXPLOCEAN’s League of Underwater Explorers, and a consultant to Elephanatics, an elephant advocacy organization based in Vancouver, British Columbia, Canada.

Descent into Browning Passage – British Columbia – at a dive site called Seven Tree Island – Jett Britnell

The first story I ever wrote was on speculation for Canada’s DIVER Magazine which meant if my writing and photography were not up to snuff, they did not have to publish it. Remarkably, for someone without a writing degree, or any formal photography training, my first published story in August 1987 was a four-page centre spread feature article along with one of my photos gracing the magazine’s front cover. I had arrived, so to speak. Since then, I have amassed almost 60 magazine cover shots, and my images and editorial continue to be published internationally in various media. Apart from freelancing with various scuba publications through the years, I was also a Travel Editor for Dive News Network, and a Contributing Editor to Canada’s Diver Magazine for 12 years. In 2016, I was named one of “122 Inspiring Shooters You Should Know” by Scuba Diver Ocean Planet Magazine. My wife, Kathryn, and I also co-author an exploration, photography and travel column for Luxe Beat Magazine under the banner “Third Age Expeditions,” https://luxebeatmag.com/category/columns/third-age-expeditions

NRB: How did your underwater photography start?

JB: My pursuit of underwater photography arose back in the early 80’s when I saw a couple of magazine cover shots in Canada’s DIVER Magazine by local British Columbia underwater photographer Gordy Cox. He remains as being one of the most talented underwater photographers I have ever known. I started shooting with slide film and actually learned how to adjust camera f-stops and shutter speeds 60-feet beneath the sea. While my undersea images were good, and getting better, to get them published in a magazine, I had to write the story to go along with my photos. Writing for magazines I also learned as I went along.

Opalescent nudibranch – Browning Passage – British Columbia – Jett Britnell

I made my first underwater pictures in January 1983 using a Canon AE-1 35mm SLR camera in a Tussey underwater housing. Those early images would not see the light of day today. Around this time, I had met Gordy Cox and we became friends. From the beginning Gordy always told me that I had “a good eye” and not to worry as the lighting will come. I also consider myself fortunate that I also become friends with a couple other talented BC underwater photographers, Neil McDaniel and David Fleetham. Somewhere along the way I was simply accepted as being one of their peers. Sadly, my friend and mentor, Gordy Cox, passed away in 2020.

NRB: What is your favourite u/w camera equipment (past & present) & why?

JB: While I have tried other camera brands underwater, I have largely been Team Nikon since I was first published. Prior to digital photography, I started out shooting slide film and my favorite camera was a Nikon F3 with a sport viewfinder in an underwater housing. I had two of these cameras housed in Aquatica housings, one set up for macro and the other for wide angle.  I switched to digital photography in May 2004 with a Nikon D70 which was a great little 6MP DSLR and have not exposed one roll of film since. Presently, I’ve transitioned from a Nikon D800 to using Nikon Z6 and Z7 mirrorless cameras housed in an Aquatica AZ6/7 underwater housing, with twin Sea & Sea YS-D3 strobes. While I own a variety of prime Nikon lenses, the workhorse lenses for my underwater work are the AF Fisheye-NIKKOR 16mm f/2.8 for wide-angle work and the AF Micro-NIKKOR 60mm f/2.8 and Micro-NIKKOR 105mm f/2.8 lenses for shooting fish and macro critters. These three lenses pretty much cover it all underwater. I have also started using a Nikkor Z 14-24mm f/2.8 which I am quite enjoying.

Baby humpback whale – Tahiti – Jett Britnell

NRB: What would be your advice to anyone new to underwater photography?

JB: Lighting in underwater photography is everything. Study the work of other underwater photographers to gain inspiration and perspective. Try to figure how those underwater photographers used light, the subject matter and composition. Experiment at trying to emulate their style. Never feel you must purchase the most expensive photography equipment. Buy the best you can afford, but never forget that it is the photographer, and not the equipment, that makes the photo. Shoot a lot of images and include both horizontals and verticals. Studying marine life behavior and their habits is vitally important if you wish successfully photograph marine subjects. The goal is to keep working at it and never stop learning. Consider doing photo dives in places where nobody else goes. It is in these places where new discoveries are made. Participate in dedicated underwater photography expeditions. Be sure to friend or follow underwater photo pros and scuba diving editors in social media to keep abreast of what’s happening. Lastly, never worry. The lighting will come as it did for me.

Fish eating tealia anemone – British Columbia – Jett Britnell

NRB: What, or who, has been the single biggest inspiration for your underwater photography?

JB: Apart from the local BC underwater photographers who I dived with regularly, there were also several world-renowned underwater photographers whose work always inspired me. For me, teamwork makes the dream work. I have always been drawn to and admired the photos made by diving couples such as Hans & Lotte Hass, Ron & Valerie Taylor, and Stephen Frink and his dearly departed wife, Barbara Doernbach. Other underwater photo pros whose imagery consistently provided stars to reach for were Amos Nachoum, Chris Newbert, David Doubilet, Howard Hall, Marty Snyderman, and the late Rick Frehsee. They all shot with slide film back in the early days where you only had 36 frames per dive. And then there is what I like to call the new wave of underwater photo pros, the incomparable Ellen Cuylaerts, Michele Westmoreland, Allison Vitsky, Alex Mustard, Ken Kiefer, Eiko Jones, Stewart Sy, Joanna Suan and my brother from another mother and Tobermory’s shipwreck diving legend Stuart Seldon. I would also be remiss if I did not mention Michael Maes who, before turning to the dark side of shooting underwater video, created some stunning underwater still images.

Oceanic whitetip sharks grow up to 4 meters and are “Critically Endangered” in the Northwest and Western Central Atlantic areas – Cat Island – Bahamas – Jett Britnell

NRB: What image are you most proud of and why?

JB: I never fall in love with the images I make. Not unlike searching for the lost chord in music, I’m seemingly always more interested in the next photo I’ve yet to make. That being said, if I had to choose just one photo at the moment it would be an image, I made of an Oceanic Whitetip Shark while snorkeling with Epic Diving (www.epicdiving.com) approximately seven miles offshore at Cat Island, in the Bahamas. It’s an image I held in my mind’s eye after watching the shark documentary “Blue Water, White Death” when I was still a pre-teen.

NRB: Where is your favourite dive location, and is it your favourite for the photography?

JB: I absolutely love diving just about anywhere on this magnificent blue planet. If you were to ask, “If you could only dive in one place for the rest of your life, where would that be?” it would hands down be in British Columbia’s famed Browning Passage, which is situated off the north end of Vancouver Island. I’ve made it known this is where I want my cremated remains scattered after my soul departs on its next great adventure.

Sombrero Island reefscape – Philippines – Jett Britnell

NRB: What are you views on marine life manipulation, moving subjects?

JB: I‘m opposed to marine life manipulation insofar as moving say a nudibranch next to some more colourfully background, or anything like that. Some believe that shark dives where bait is used to attract them into the area is manipulating the shark’s behaviour. I disagree as there have been several studies which support that sharks are merely being opportunistic feeders. I have witnessed underwater photographers move something, and then not put it back. No picture is worth harming or disturbing marine life.

NRB: What do you look for when you are making your images?

JB: First, if I’m shooting wide angle, I always use “jump settings.” In other words, my camera settings are already dialed in for any subject I might encounter after splashing beneath the waves. Down below, I think about composition and photogenic backgrounds. I take my time to look for photo ops. Patience is a virtue as I will wait a considerable amount of time for a critter to move into the right place. Ideally, we are at a dive site inhabited by marine life we are hoping to photograph. If not, it doesn’t matter. I always descend beneath the waves with a mindset that something good will always happen. Some underwater photographers stress themselves out, along with whomever they may be diving with. In order to truly excel at the art of underwater photography on should attach themselves to having a Zen-like attitude as easily as they change a camera lens.

Clown shrimp on Crimson Anemone – copyright by Jett Britnell

NRB: What motivates you to take u/w photos?

JB: I never needed any motivation. I could not have known when I was five years old what I know now and that is I was shaping my destiny when I strapped on an old war surplus gas mask and dunked my head into a big black iron cauldron to look at goldfish. I have a lifelong love for the oceans, rivers and lakes and all that lurks beneath the surface.

NRB: If you could photograph any one thing/place what or where would that be?

JB: There is no one place for me. I would love to photograph marine life in the Arctic and Antarctica, Orcas in Norway, or diving with sharks and whales just about anywhere; exploring ancient shipwrecks in the Greek Isles, and the Philippines presently looms large on our horizon. We have been there twice before and Kathryn and I have been invited to lead a trip there in 2022. It’s a lovely country brimming with kind-hearted, beautiful, people and diving there never ceases to amaze.

Giant Pacific Octopus in BC – Jett Britnell

To see more of Jett’s work follow these links:

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

Marine Life & Conservation

Shark Trust launches Oceanic 31 Shark Art Auction

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After a two-year tour of UK art galleries, community spaces and aquariums, the Shark Trust’s acclaimed Oceanic31 exhibition takes its final bow at the Royal Geographical Society later this month. And the unique collection of artwork, depicting 31 species of oceanic sharks and rays, donated by 31 artists, is now open for bids from art lovers and shark enthusiasts. The online auction, launched today, will close on the 7th December at 8pm (BST). The money raised will support the Shark Trust Oceanics Programme.

People can now bid on 27 of the artworks by visiting this website:

https://superstars-auctions.com/sharktrustauction

It is a chance to own a beautiful piece of original art and to support the Shark Trust. The timing of the auction also means that these would make a very special Christmas gift for any shark-lover.

The diversity of pieces mirrors that of the sharks and rays they represent. You can bid on paintings, digital creations, sculptures, mixed media and more. You can pick your favourite artist or species of shark. Or you can select the perfect artwork to make a statement in your home or office. Whichever you choose, you will be supporting the work to protect these amazing animals.

One of the pieces of art has been selected to be auctioned live by Steve Backshall at the For the Love of Sharks event at the Royal Geographical Society in London on the 29th November. In addition to this, two further pieces will be raffled at this event, giving people a chance to win an incredible piece of shark art. For the Love of Sharks is the Shark Trust’s flagship evening. A night to celebrate sharks. Steve Backshall is the headline speaker at this event that will see other prominent shark advocates join him on stage.

Tickets for the event can be snapped up here:

https://thesharktrust.org.uk/Event/flos24

Those that would like to see the Oceanic 31 exhibition have one final chance. It is being displayed at the Pavilion at the Royal Geographic Society from 26th November until the 7th December. Entry is free.

Find out more here:

https://www.rgs.org/events/upcoming-events/oceanic-31

 Paul Cox, Shark Trust CEO, Said “This exhibition has given us the opportunity to reach out to a new audience. And inspire more people with the wonderful sharks and rays on which our Big Shark Pledge campaign is based. We are immensely grateful to the 31 artists who have worked so hard to create these works.”

Bid for your favourite Oceanic 31 artwork here:
https://superstars-auctions.com/sharktrustauction


Banner Image: Smooth Hammerhead by Alicia Hayden

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Gear News

Introducing the RS Series Drysuit from DYNAMICNORD

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drysuit

Cozy and warm in cold water.

It’s drysuit season all year round. With the new RS series premium drysuits from DYNAMICNORD, divers are perfectly equipped for all cold waters.

The sophisticated cut of the RS drysuits allows complete freedom of movement, providing maximum comfort. The high-quality 350 g/m² ripstop material with double ripstop zones on the elbows, knees, and crotch protect ensures extreme robustness as well as long life.

drysuit drysuit

The suit’s features leave nothing to be desired: A high-quality TiZip zipper, easily adjustable inlet and outlet valves, upgradeable with electrically heated underwear, HP bottleneck cuffs made of high-strength latex on the wrists, a 3mm neoprene neck cuff for maximum comfort, a 7mm hood with air outlet and 3mm boots made of double-sided, cross-layered neoprene with ankle straps and fin strap stoppers and a protective but very flexible sole.

drysuit

Noteworthy is the Molle fastening system, which can be used in a variable and compatible manner. This way, the two detachable leg pockets can be attached easily, safely and comfortably.

Alterations of boots to a different shoe size or adjustments to neck or wrist cuffs are done free of charge at the own DYNAMICNORD service centre in Germany in only a couple of days.

The matching Dynaskins made with high-quality Polartec® technology are available in various designs. As an undersuit under the drysuit, as a single suit in warm waters or as a two-piece suit. Polartec® technology’s main features are neutral buoyancy, breathablilty and quick-drying.

drysuit

Dynaskins are made largely from recycled plastic bottles.

The drysuit RS-351 for men and RS-352 for women are now available at your DYNAMICNORD dealer and in the online store.

Colors men and women: Black-Blue and Black-Burgundy

Sizes men: XS-4XL incl. intermediate sizes MS, MT, MLS, MLT, LS, LT, XLS, XLT, 2XLS, 3XLS, 4XLS

Sizes Women: XS-XL incl. intermediate sizes MS, MT, LS, XLS

DYNAMICNORD – Your Outdoor Companion.

www.dynamicnord.com

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