Photo / Video News & Reviews
Scubaverse Underwater Photographer Interview: Henley Spiers
In an ongoing series, Scubaverse’s Underwater Photography Editor Nick Robertson-Brown talks to underwater photographers from around the world that he admires. In this blog: Henley Spiers.
Henley Spiers’ all-consuming passion for the sea led him to quit his job in the corporate world to become a dive instructor, and then an underwater photographer. He is a regular contributor to DIVER magazine where his images can often be found on the cover. His work has been frequently awarded in competitions, including the Sony World Photography Awards, Nature’s Best and the Underwater Photographer of the Year contest. Conservation plays an important part in his philosophy and he collaborates with the Marine Conservation Society, Mission Blue and the Devon and Cornwall Wildlife Trusts. Half British and half French, he lives in Cebu, Philippines, with his wife (and favourite dive buddy) Jade and their daughter Apolline. Henley runs personalised underwater photography tours and workshops combining his love of diving, teaching and underwater photography.
- www.henleyspiers.com
- Instagram: @henleyspiersphoto
- Facebook: @henleyspiersphotography
NRB: How did your underwater photography start?
HS: Well, I first picked up an underwater camera whilst working as a divemaster and then dive instructor in the Philippines and Indonesia. However, at that stage I was very much a ‘diver with a camera’ and it wasn’t until I took a trip to Lembeh that I really had my first go at underwater photography, renting a lovely Olympus mirrorless set-up and with the sole purpose of the dive being the creation of images. I caught the bug pretty quickly from there and soon invested in my own rig. When I moved to Saint Lucia to work as a the dive manager for a new dive shop I had the opportunity to really get shooting underwater on a regular basis and things snowballed fairly quickly from there!
NRB: What is your favourite u/w camera equipment (past & present) & why?
HS: I recently upgraded to the Nikon D850 and I am absolutely in love with it. The combination of super high resolution (45 MP), strong low-light performance and an ultra-fast focus system make it a dream camera for underwater photographers. I’m currently pairing it with a Nikon 28-70mm lens and the Nauticam WACP which is a groundbreaking development in underwater optics, and I’ve only just scratched the surface of what can be achieved with this beautiful bit of glass!
NRB: What would be your advice to anyone new to underwater photography?
HS: You can learn on your own, but you’ll save a lot of time and headaches by finding a good teacher. Immerse yourself in magazines, books, webpages and exhibitions and find the underwater photographers that you admire. Then get in touch with them and see what teaching options they offer, whether it be workshops or 1 to 1 sessions. Beyond that, understand that if you truly want to make progress as an underwater photographer, it must be the sole aim of your dive and dive trip. You will struggle to create memorable images if you are with a regular dive group, drifting at speed through a variety of dive sites. Either dive with other photographers or get a private guide, giving yourself the time and opportunity to create an image. Finally, and I’m quoting Alex Mustard on this, photographers are in the unusual position of being judged solely by their best work. People will only see the images you select as your best, and those are the only ones that matter. I consider it a good day if I create one image per day of diving that I am happy with – and I will usually take several hundred! So don’t beat yourself up about the ones that went wrong, that’s part of the process for underwater photographers of all abilities.
NRB: What, or who, has been your single biggest inspiration for your underwater photography?
HS: There are many underwater photographers and indeed photographers in general who inspire me, however, if pressed to choose only one, the single biggest influence has been Alex Mustard. I have attended a couple of his workshops which resulted in a step-change in my approach to the craft, and I am forever going back and dipping into his ‘Underwater Photography Masterclass’ book for tips before a shoot. He is the benchmark that I judge my own results by.
NRB: What image are you most proud of and why?
HS: I think it would have to be ‘Battle of the Tompots’, an image of two male Tompot Blennies fighting it out for mating rights under Swanage Pier. My dream images are ones that combine unique behaviour with an artistic rendition, which is easier said than done and was achieved in this shot. The best feeling in underwater photography, which can often be an exercise in patience and frustration, is when you know you got the shot, got something special. It’s a pure, natural high which gives me a buzz long after the dive is over. Fortunately, that image was also recognised more widely, with a category win in the Underwater Photographer of the Year and placing in a few other prominent contests. In fact, it was even featured as the Sunday Times ‘Photograph of the Week’! So it was really the full package and it’s the image I am most proud of.
NRB: Where is your favourite dive location, and is it for the photography?
HS: I’m not sure I’ve found it yet, I’ve been to many beautiful spots but I’m always excited for the next expedition. This November, I’m visiting the Sea of Cortez in Mexico and am tremendously excited for all of the big animals over there, from sea lions to whale sharks and, if we get lucky, even some marlin! These days, unless I’m teaching, I never dive without a camera so those two things are inextricably linked.
NRB: What are you views on marine life manipulation, moving subjects?
HS: I find it upsetting but I think there needs to be an understanding of how it happens before you vilify all those involved. First off, there has been a drastic increase in the number of divers and underwater photographers over the last few decades. The understanding of how we impact the environment has grown hugely in that time but diving and photography standards have not quite caught up. Look back at videos of Jacques Cousteau and you will see behaviour which would be widely denounced today. However, there is no doubt in my mind that he and his team were pioneers and, overall, did far more good for the oceans than harm. They were simply less aware than we are today of the human impact on marine life and marine ecosystems.
Likewise, when there were only a few hundred underwater photographers in the world, moving subjects and kneeling on the coral was commonly practiced. Those photographers created some beautiful images which set the standard and would then be emulated by the next generation. There is this cascading effect by the standard-bearers in the diving and underwater photography industry which is what, in my opinion, has driven the bulk of marine life manipulation. People are trying to emulate the images they see their favourite underwater photographers take. In some cases, marine life manipulation makes that easier, and so the dive guides will facilitate that process to ensure their guests’ happiness. With the volume of underwater photographers pursuing the same type of marine life these days, that problem escalates quickly.
The problem is not with the dive guides – they are in a service industry and purely trying to give the customer what he/she wants. You have to go further up the chain and look at what images are being held up as the gold standard in underwater photography. Prominent underwater photographers and judges in competitions should think very carefully about what they are putting out there to the general public. Ultimately, the biggest correction to critter manipulation will happen once the images awarded are ones where there isn’t even the hint of marine life manipulation. Now, there is some frustration for photographers there because sometimes you genuinely capture a very unusual behaviour or a critter in an unusual position. However, underwater photographers (especially those in prominent positions) should not shout about or share images which could have been more easily achieved with manipulation. I think that is how you start to stem the flow when it comes to this issue.
NRB: What do you look for when you are making your images?
HS: I guess I’m looking for three things: subject, behaviour and background. I look out for engaging subjects and I look out for any signs of unusual behaviour (cleaning, mating, fighting, flirting…etc) – both of those probably seem pretty obvious. I think what can often be neglected is looking out for good background, such as a colourful sponge, sometimes you are best off seeking the background first and then finding the subject.
NRB: What motivates you to take u/w photos?
HS: At heart it is an all-encompassing passion for the sea and being able to share some of what I see and feel underwater with a wider audience. I fell in love with diving long before I first held a camera and, during that time, would wax lyrical about how incredible it was down there to anyone who would listen. With underwater photography, I have better way than words of communicating the wonders of the marine world.
NRB: If you could photograph any one thing/place what or where would that be?
HS: Hmmm well if I had three wishes, genie style, I would go for: whale sharks mating, leatherback turtles mating and thresher sharks hunting, ideally all in the same frame!
Find out more about Henley Spiers by clicking here.
News
Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI
Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.
Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.
The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.
Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.
“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”
Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.
Unparalleled Image Quality, Day and Night
The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.
Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.
A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.
Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.
Ready for Action Anytime, Anywhere
The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.
The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.
An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.
Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.
Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.
Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.
Smarter, Easier Capture & Editing
Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.
Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:
- 4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
- Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
- Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
- Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
- Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.
Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.
The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.
Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.
Available Now
Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.
News
Introducing the Nauticam Super Macro Converter 3
The SMC-3
Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.
SMC-3 Specifications
Dimensions | OD 70mm x H 32mm |
Weight in Air | 307g |
Weight in Water | 215g |
Max Magnification (*1) | 2.4x (lens dependent) |
Working Distance (*1) | 51-103mm |
Lens Construction | 3 elements in 2 groups |
Lens Coatings | Anti-reflection Coating |
Mount Thread Diameter | M67 |
Depth Rating |
100mm |
Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Key Features
- Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
- Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
- Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
- Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
- Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.
Uncompromised Optical Quality
The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.
Stunning Magnification
When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.
Improved Sharpness and Contrast
As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.
Superb Light Transmission
All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.
Optimized for Autofocus
By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.
Ample Working Distance
Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.
Resolution
High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.
Smooth Bokeh
The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.
Avoiding Diffraction
Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.
For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.
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