Photo / Video News & Reviews
Scubaverse Underwater Photographer Interview: Ellen Cuylaerts
In an ongoing series, Scubaverse’s Underwater Photography Editors Nick and Caroline Robertson-Brown talk to underwater photographers from around the world that they admire. In this blog: Ellen Cuylaerts…
I relocated from Belgium to the Cayman Islands in 2009. I have a masters degree in modern history and education, but ended up working in IT until I decided to home-school my two gifted teenagers, relocating and taking up scuba diving in June 2011. Soon I became a Master Scuba Diver and combined it with photographing the wonders of the underwater world.
My main drive is shooting images that draw the viewer in, so an emotional bond is established between marine life and viewers that might not have a link with the underwater world. By creating an image that captures how I feel rather than what I see I hope to get people involved in protecting our blue planet. I’ve received awards for my pictures and was the 2013 World Champion in the yearly online underwater photo competition www.underwaterphotography.com. In June 2014, and again in 2015, I came first and second in the United Nations’ World Oceans Day Photo Competition. Those competitions have helped me to make my voice in conservation louder and also to mentor more people to use their images to contribute to education, preservation and awareness.
My work can be seen in exhibitions in Paris, St. Petersburg, Valencia, Marseille and New York. Last June I addressed Heads of State on World Oceans Day at the General Assembly of the United Nations highlighting the plight of photographers and filmmakers engaging in protection of the oceans. As a Fellow Explorer International I became a member of the Flag & Honors Committee of the Explorers Club, hence having a front seat at future explorations! I try to bring people together to work in a constructive way to be the change you want to see.
N&C: How did your underwater photography start?
EC: After relocating from Antwerp (Belgium) to the Caribbean, I decided to learn how to dive in 2011! I combined it with getting a new camera just for some me-time; I always wanted to study photography. I got a mirrorless EPL-II, kit lens, a housing and a strobe, the book “EPL-II for dummies”, an underwater photography course and I’ve never looked back.
N&C: What is your favourite u/w camera equipment (past & present) & why?
EC: My favorite setup is my Nikon D800 with a 16mm Nikkor fisheye lens and two sola video lights just in case I need extra light.
Shooting with a fixed fisheye lens makes you very aware of animal behavior, and the contact you need before you can even attempt a shot. Everything looks further away, you have to anticipate your approach taking light and behavior into account, and get as close as possible (otherwise your subject seems very far away). Most of the time shooting with the fisheye lens for big animal encounters can be a gamble. If you can’t get close, your shot will be less engaging. But if you can get close or the animal reveals itself in a great pose, a fisheye lens creates a depth that’s hard to create with any other lens. Be aware though to get yourself and your lens into the right position without harassing wildlife or damaging the environment, as every cm of your camera position counts in avoiding distortion of the subject.
N&C: What would be your advice to anyone new to underwater photography?
EC: Control your buoyancy at all times, only then start taking images. No picture is worth damaging the environment, marine life or yourself. Be a confident and aware diver and a good buddy. Don’t chase images but work on an image while keeping control of your dive. Observe, enjoy, think about whether it’s even worth attempting to take the image (is the background, the negative space interesting, the animal in a good position etc…) or if it would give you more joy to just watch behavior. Keep studying: diving AND photography. Simplify in extreme environments.
N&C: What, or who, has been your single biggest inspiration for your underwater photography?
EC: Brian Skerry, since his image of a harp seal in the water and the article in National Geographic, touched my heart years before I got into diving. When a print was auctioned at Christies some years ago, I even bought it and it’s on my wall in my office inspiring me every day. I was lucky and privileged to visit the ice floes in the Gulf of St. Lawrence where that image was taken twice and the fate of the harp seal pups every year depends on the ice but the decline in ice and the ‘big thaw’ are a sad reality and the harp seals to me are a symbolic ‘eyes of climate change’.
N&C: What image are you most proud of and why?
EC: The image I’m most proud of is ‘The elements’. It’s a Black and White image taken in a grotto with only natural light. It depicts a stream of silversides lit by the sun rays coming into the grotto at noon. That image took me patience, persistence (I saw the image happening before my eyes and almost got my settings dialed in when a group of divers swam through and I kept preparing just in case the school of fish would get back together and the stirred up sand would settle. It took me 50 more minutes of waiting), knowledge of light and photography. The moment I took the final image in raw, I could imagine how it would look after processing and after uploading it, I had the final version processed in two minutes. I took the image in the summer of 2013 and that was the moment I realized I was not just taking images but I knew what I was doing. I became a photographer.
N&C: Where is your favourite dive location, and is it for the photography?
EC: My favorite dive location is….haha UK! I’m totally crazy about your green waters, the cold, kelp, and friendly seals. I’ve visited Lundy during bad weather and sadly saw no seals but two visits to the Farne Islands are still putting a smile on my face. High on my list are diving the Scilly Isles and Hebrides. I think it’s the combination of raw nature, culture and history that will always attract me to the UK. Even if you have weather days on a trip, there’s so much to see and do (for me castles and hikes are all I need when I can’t go in the water).
N&C: What are you views on marine life manipulation, moving subjects?
EC: I have an ethical issue with moving subjects and I even have a hard time taking staged shots with divers. Moving marine life for a shot is wrong. The sad thing is it happens a lot and mostly by people who have no idea about animal behavior. Competitions and magazines should all take a stand and ban photographers with bad practices (also the ones standing on coral…or more generally, those not aware of their environment). Photographers and filmmakers are first hand witnesses of the underwater world and should act like best ambassadors in my opinion. Staged shots: that’s more a personal thing. I want to capture the moment and I prefer to catch it when it’s not expected as it feels more true. That being said, I have some ideas where I’ll have to give directions to divers and it will be my own biggest challenge to communicate what I feel before being in the water.
N&C: What do you look for when you are making your images?
EC: Serenity in chaos, purity in expression. Something has to move me: light or motion or contact. I can spend lots of time in the ocean just enjoying the effects of salt water, without even an attempt to take an image. Yet I’m always prepared for the unexpected, dialing into my settings, taking a test shot, looking around, admiring sun rays or the shade of clouds. There’s always something that can sparkle your inspiration. Beauty is everywhere.
N&C: What motivates you to take u/w photos?
EC: My main drive is to contribute to awareness about the importance of the oceans to our planet, to the animal world and to mankind, by evoking emotions in the viewer. I’ve just returned from the opening of a group exhibition in New York and to be able to bring these nature images to people living in a buzzing city and to start a dialogue about the challenges regarding pollution and climate change, is very rewarding. Every person that changes his behavior because of looking at a nature documentary or a wildlife image, is a necessary win.
The clock is ticking and the scale is getting very unbalanced. There is no time to waste.
N&C: If you could photograph any one thing/place what or where would that be?
EC: Narwhals while diving on a rebreather in the arctic waters are my ‘unicorn’ dream and I will make that happen ;-).
To find out more about Ellen, visit her website by clicking here.
News
Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI
Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.
Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.
The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.
Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.
“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”
Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.
Unparalleled Image Quality, Day and Night
The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.
Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.
A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.
Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.
Ready for Action Anytime, Anywhere
The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.
The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.
An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.
Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.
Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.
Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.
Smarter, Easier Capture & Editing
Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.
Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:
- 4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
- Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
- Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
- Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
- Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.
Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.
The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.
Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.
Available Now
Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.
News
Introducing the Nauticam Super Macro Converter 3
The SMC-3
Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.
SMC-3 Specifications
Dimensions | OD 70mm x H 32mm |
Weight in Air | 307g |
Weight in Water | 215g |
Max Magnification (*1) | 2.4x (lens dependent) |
Working Distance (*1) | 51-103mm |
Lens Construction | 3 elements in 2 groups |
Lens Coatings | Anti-reflection Coating |
Mount Thread Diameter | M67 |
Depth Rating |
100mm |
Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Key Features
- Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
- Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
- Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
- Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
- Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.
Uncompromised Optical Quality
The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.
Stunning Magnification
When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.
Improved Sharpness and Contrast
As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.
Superb Light Transmission
All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.
Optimized for Autofocus
By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.
Ample Working Distance
Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.
Resolution
High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.
Smooth Bokeh
The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.
Avoiding Diffraction
Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.
For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.
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