Photo / Video News & Reviews
Scubaverse Underwater Photographer Interview: Daniel Geary
In an ongoing series, Scubaverse’s Underwater Photography Editor Nick Robertson-Brown talks to underwater photographers from around the world that he admires. In this blog: Daniel Geary…
Daniel was born and raised in Orlando, Florida, fostering a love of the ocean since he was born. He has been diving for about ten years. After falling in love with the Philippines after his first visit, he moved there full time about five years ago and is currently based in Dauin, Philippines. Daniel teaches an exclusive PADI Frogfish Specialist Course with Atmosphere Resorts. He has won First Place in the Philippines-wide SNUPs Underwater Photo Contest, as well as Honorable Mentions in the OceanArt Competition and the Beneath The Sea Imaging Competition. He has had photos and articles published in Sport Diver Magazine, the Undersea Journal, EZDive Magazine, and online at DivePhotoGuide. His latest published photograph was the cover photo of the December 2017 quarterly edition of the Copeia Scientific Journal. He is on a quest to see as many frogfish species as possible and his current count is at least 17. Formerly photographing as Mean Guign Photography, Daniel can now be found on facebook and instagram under the name Dr. Frogfish, as well as the still-under-construction www.doctorfrogfish.com. For a portfolio of his photography over the past few years, you can check out www.meanguignphotography.com.
NRB: How did your underwater photography start?
DG: I bought an Olympus Stylus Tough about ten years ago and used it while snorkeling. I brought it with me when I travelled to the Philippines for two months, roughly seven years ago, and realized that I had the bug and needed to upgrade and have been photographing ever since.
NRB: What is your favourite u/w camera equipment (past & present) & why?
DG: My favorite camera equipment would have to be my old Olympus EPL-5. I currently use an Olympus OMD EM5, Mark II, but the Olympus EPL-5 is what made me realize how much I really enjoyed underwater photography. This was the first camera I owned that allowed me to shoot using fully manual settings and a dedicated 60mm macro lens. I love that it is a little bit bigger than a compact camera, but gets shots that are comparable to much more expensive, and bigger, DSLR cameras.
NRB: What would be your advice to anyone new to underwater photography?
DG: You need to be a great diver to be a great photographer, and you need to understand the camera you are using. Too many times I see people who have a massive DSLR rig and few dives and don’t understand why they can’t get photos like the ones they saw on facebook. Buoyancy is incredibly important, without it your photos will suffer. I don’t lie on the ground when I photograph, like many photographers, instead choosing to contort my body into weird positions to get the shot I want – impossible without good buoyancy. As for equipment, start with something small, like the Olympus TG-5 or 6, that you can build upon. I always suggest the TG-5 or 6 because it has an internal flash that is powerful enough to use for macro on its own, but can be expanded with additional external strobes and lenses or dome ports. If you buy a big rig, BUY FLOATS. A neutrally-buoyant camera is so much easier to use than a camera that sinks like a rock. I teach photo workshops and one of the biggest reasons my students are having trouble is that their camera rig is too heavy underwater.
NRB: What, or who, has been your single biggest inspiration for your underwater photography?
DG: My single biggest inspiration, animal-wise, for my underwater photography has been the weird and wonderful frogfish. I love introducing people to this fish who have never heard of it, or who don’t know much about it, and I am always inspired to try and show rare behaviors, color variations, or species to a bigger audience. My biggest inspirations, person-wise, are the people that are champions for the critters, those that are not afraid to speak out about the lack of ethics that is evident in the age of photographer on social media. Alex Tattersall, Markus Roth, and Saeed Rashid, three photographers who are vocal about ethics in underwater photography, come to mind.
NRB: What image are you most proud of and why?
DG: The image I am most proud of is my well known “Investment Opportunity” shot. It was a finalist in the OceanArt Competition in 2017. I’m proud of it because it is completely different from everything else you see out there and is my signature shot – a juvenile frogfish in front of a Philippine Peso coin. The coin has rust that matches the baby frogfish in the photo, it includes the location (Philippines) in the text of the coin, and it shows just how small these little critters are. It tells an entire story without needing an explanation. I have been photographing with a coin since 2014 and none of my shots have come close to this one in terms of composition.
NRB: Where is your favourite dive location, and is it for the photography?
DG: My favorite dive location is Dauin, Philippines. I have been diving here for seven years now and have made it my home for the past five years. It is great for photography because you have the macro heaven on the coast, more frogfish than anywhere else, but you can put on your wide angle setup and go photograph turtles, jacks, and sea kraits over at Apo Island, 30 minutes away. I also love that most dive sites are shore accessible, since that is my preferred way to dive.
NRB: What are you views on marine life manipulation, moving subjects?
DG: Thank you for asking this question. I strongly believe that marine life should NOT be manipulated! I will admit, I have moved marine life in the past. That is how I was taught by a photographer I looked up to at the time, so I thought it was okay. I made the decision to stop moving marine life over three years ago and have been known to stop complete strangers from moving marine life underwater. I also limit the amount of photos I take of an animal as I believe that taking hundreds of photos of a single critter is just as bad or worse than moving the subject itself. Good photographs should arise from the talent and skill (and luck, of course) of the photographer, not an exotic animal moved into a better background. You can check out my articles about alternatives to manipulation – Part I and Part II, for some good tips.
NRB: What do you look for when you are making your images?
DG: Frogfish! No, I just look for something in the viewfinder that will translate to a good photo and make me think ‘Wow!’ I prefer to photograph really cool eyes, natural patterns, or funky behavior. I like to showcase natural camouflage, like a juvenile cowfish staring at me between two blades of seagrass, or a frogfish peeking out between crinoid arms, instead of moving the offending habitat out of the way for a ‘clear’ shot. I don’t look for super specific poses or backgrounds since that tends to put me in a box mentally.
NRB: What motivates you to take u/w photos?
DG: The critters motivate me. Most of the animals I photograph are unknown to non-divers, and some of them are even unknown to many divers themselves. Everyone knows what a sea turtle looks like, a seahorse, shark, dolphin, whale, clownfish etc, and those animals get the most attention, the most scientific research grants, and the most screen time. I believe that many of these little critters that I photograph are incredibly important to tourism but are routinely overlooked by science. If I can use my photos to help educate a bigger audience about the existence of these animals and how cool and interesting they are, which could result in them getting more attention and research, then that’s all the motivation that I need.
NRB: If you could photograph any one thing/place what or where would that be?
DG: If you asked me this question before I went to Ambon, the answer would be the Psychedelic Frogfish, but I already photographed one, so I will have to think for a minute. I guess that if I could photograph any one thing, it would have to be the Red Handfish in Tasmania! Its so weird and rare and has the coolest mohawk.
To find out more about Daniel, visit his website by clicking here.
News
Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI
Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.
Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.
The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.
Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.
“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”
Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.
Unparalleled Image Quality, Day and Night
The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.
Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.
A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.
Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.
Ready for Action Anytime, Anywhere
The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.
The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.
An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.
Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.
Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.
Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.
Smarter, Easier Capture & Editing
Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.
Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:
- 4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
- Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
- Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
- Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
- Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.
Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.
The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.
Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.
Available Now
Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.
News
Introducing the Nauticam Super Macro Converter 3
The SMC-3
Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.
SMC-3 Specifications
Dimensions | OD 70mm x H 32mm |
Weight in Air | 307g |
Weight in Water | 215g |
Max Magnification (*1) | 2.4x (lens dependent) |
Working Distance (*1) | 51-103mm |
Lens Construction | 3 elements in 2 groups |
Lens Coatings | Anti-reflection Coating |
Mount Thread Diameter | M67 |
Depth Rating |
100mm |
Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Key Features
- Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
- Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
- Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
- Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
- Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.
Uncompromised Optical Quality
The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.
Stunning Magnification
When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.
Improved Sharpness and Contrast
As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.
Superb Light Transmission
All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.
Optimized for Autofocus
By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.
Ample Working Distance
Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.
Resolution
High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.
Smooth Bokeh
The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.
Avoiding Diffraction
Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.
For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.
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