Photo / Video News & Reviews
Scubaverse Underwater Photographer Interview: Christian Llewellyn
In an ongoing series, Scubaverse.com’s Underwater Photography Editors Nick and Caroline Robertson-Brown talk to underwater photographers from around the world that they admire.
This week’s interview is with Christian Llewellyn.
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My Name is Christian Llewellyn. I am 43 years old and was born in Harrow, North West London. My passion in life is creation. I enjoy being able to share my life through using various mediums with others. My background revolves media and art, specialising mostly in corporate communications, film, television and photography. Social media has given us all a platform to share our Scuba lives. Thanks to social media, people are able to read my articles, see my photography, watch my films, join my photography groups and enter my underwater photography competitions.
I became a Scuba instructor in 2004 in Cyprus, and left there in 2009 as a dive centre manager and an IDC staff Instructor. After this point I was able to concentrate on the type of diving I preferred, which is visual. Videography is where I really came from but photography seems to be the more important for me as time passes.
I run a successful underwater photography group called Wrecks Of The World, which I have been building slowly over the last two years into a viable business venture. At the moment we hold monthly photo competitions, sell dive t-shirts and with the help of nearly 5000 members we inform each other on wreck news, destinations, eco-awareness, artificial reefs, history, equipment and friendship. At the end of 2016 our group climaxed with our second yearly photograph competition final with over 60 competitors, hundreds of photographs, a half hour live results feed with hundreds of people watching and even a special report on wrecks of the world and our winner on television.
From April we will be open for business with plans for a new website, wreck directory, T-shirts and dive wear, wreck itinerary escorted trips, and a splash photo competition event held in Malta at the end of the season.
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N/C: How did your underwater photography start?
CL: I first learnt photography from my Grandfather. He worked at Kodak for a time, and for him photography was one of his passions. Learning the fundamentals with an old 35mm and a wonderful Mamiya c33 medium format camera I started various photography, art and media courses at college.
Now the underwater section comes from teaching myself how to snorkel at a very early age, fondly remembering watching Jacque Cousteau in the 70’s, learning how to free-dive, and finally in the 90’s scuba.
When I used to free-dive I only had disposable uw cameras, which had limited success and only at shallow depths. Then scuba brought me my first SeaLife 35mm with macro attachments, then various digital compact cameras until I upgraded to the mirrorless rig I have today.
N/C: What is your favourite u/w camera equipment (past & present) & why?
CL: I used to love the retro look of my reef-master camera with the square crosshair viewfinder, and the bulbous yellow housing, as it felt so 007. These days my favourite equipment is lighting. I have slowly built a collection of continual light sources, which can give me more control on experimental shots. As I sometimes find with all the logistics of underwater photography. It is somewhat easier to see the shot lit before a strobe goes of, as then you can use them to fill the gaps where needed.
N/C: What would be your advice to anyone new to underwater photography?
CL: My advice for anyone new to underwater photography would be the fundamentals:
- Never task load – always be familiar with all your diving and photography equipment before you enter the water.
- Positioning – Practice your buoyancy, always get close and try to take photos looking up.
- Lighting – natural lighting will only get you so far. So think about investing in strobes or continual light sources.
- Education – Learn about marine life. Learning the habitats and behaviours of marine life makes it surprisingly easier to capture images.
- Skills – Lastly try an escorted photo dive trip. You will find them truly inspiring, pick up loads of tips, skills and friends.
N/C: What, or who, has been your single biggest inspiration for your underwater photography?
CL: I would have to say photo guru Paul Duxy Duxfield has been my biggest inspiration for progressing my underwater photography. From the shop floor to the bottom of the sea, his calming no frills approach at improving your diving and photography are a true investment in your time. Every trip, meeting, lecture or dive is always a respectful pleasure, for all the patience and photography knowledge he shares with you.
N/C: What are your boundaries on post-editing image manipulation?
CL: The aesthetic line between taking a photograph and creating a piece of art is never an easy subject matter for discussion. I think it truly comes down to you. What you are prepared to do to an image to give yourself a sense of satisfaction is your choice. Living and working in the media world, I realise how courageous it is to even show your work or yet have someone’s opinion obliterate any pride you had in it. So I would truly leave it up to what truly makes the individual happy with their photograph.
However if you are talking about image manipulation for competition entries, or magazine articles, then I follow the standard white balance, colour correctness, sharpness, backscatter, lens scratch procedures set out by the rules of the competition jury or the magazine editor.
Plus an experienced underwater eye can always see if an image has been over-manipulated, so for photography I would sway with less is more. However if I was creating art then the gloves are off and my editing palette is open.
N/C: Where is your favourite dive location, and is it for the photography?
CL: My favourite dive location is Shaab Abu Nuhas Reef in Egypt. I love wrecks and this site has four accessible recreational level wrecks including the Kimon M, Giannis D, Carnatic and Chrisoula K (& for the technical diver there is one more wreck at this location named the Sea star, which lays at a depth of 90m).
Shaab Abu Nuhas has everything you want for photography – wide angles big shots, marine life, coral, macro, history, easy penetration, great natural light, etc. The only negative about the site is it can get busy; so my advice is always taking it slow at the beginning. If you see everyone head inside then find another shot. Be methodical and have contingency plans for your images to receive a better-hit rate.
N/C: What are you views on marine life manipulation, moving subjects?
CL: I grew up with watching Jacque Cousteau on the TV and at the cinema. At this time we knew so little of the underwater world, and the people making these films were celebrated as explorers. Continuing through the years it was seen as OK to handle morays or feed fish for your customers, even feed sharks, make killer whales captive, teach dolphins tricks, kill sharks and whales for nothing…. and then you have people who move a species (without knowing what effect this could have) just so they can win a competition or more likely not even get the shot anyway. I think you might know which way I’m going with this….
N/C: What do you look for when you are making your images?
CL: Diving for me is more second nature than walking through a crowed city street. What I mean is for me, the many years I have had teaching and diving, scuba does not constrict me in anyway. So in the water it is all about the photography. In essence it provides me with endless possibilities to get the shot I want, as you are not limited to gravity. For me it’s all about the combination of the angle complementing the subject matter and balancing the light with the colours and textures. All of which can be enhanced or reduced or even manipulated with all the photographic tools at my disposal underwater.
N/C: What motivates you to take u/w photos?
CL: My motivation comes from my love of creating things using many different types of mediums, and sharing them with people. Underwater I am motivated to capture the illusive perfect shot, to strive forward and take a photograph, which connects to my audience and makes them think. Something that provokes emotion, documents nature, informs and maybe the best is to know that you have inspired someone to pick up a dome port, straddle it to a housing, think out of the box, shoot from the hip, relax and enjoy every process of underwater photography.
N/C: If you could photograph any one thing/place what or where would that be?
CL: For people that know me they probably picture me heading for Chuuk Lagoon which for some is really the mecca of wrecks. However for me what I would most like to photograph are the marine iguanas of the Galapagos.
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For more from Christian, click on the following links:
Website: x-posureunderwater.com
Twitter: twitter.com/Chllewellyn
Facebook Photography Groups:
News
Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI
Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.
Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.
The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.
Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.
“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”
Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.
Unparalleled Image Quality, Day and Night
The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.
Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.
A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.
Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.
Ready for Action Anytime, Anywhere
The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.
The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.
An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.
Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.
Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.
Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.
Smarter, Easier Capture & Editing
Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.
Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:
- 4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
- Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
- Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
- Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
- Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.
Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.
The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.
Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.
Available Now
Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.
News
Introducing the Nauticam Super Macro Converter 3
The SMC-3
Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.
SMC-3 Specifications
Dimensions | OD 70mm x H 32mm |
Weight in Air | 307g |
Weight in Water | 215g |
Max Magnification (*1) | 2.4x (lens dependent) |
Working Distance (*1) | 51-103mm |
Lens Construction | 3 elements in 2 groups |
Lens Coatings | Anti-reflection Coating |
Mount Thread Diameter | M67 |
Depth Rating |
100mm |
Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Key Features
- Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
- Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
- Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
- Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
- Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.
Uncompromised Optical Quality
The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.
Stunning Magnification
When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.
Improved Sharpness and Contrast
As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.
Superb Light Transmission
All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.
Optimized for Autofocus
By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.
Ample Working Distance
Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.
Resolution
High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.
Smooth Bokeh
The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.
Avoiding Diffraction
Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.
For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.
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