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Scubaverse Underwater Photographer Interview: Christian Llewellyn

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In an ongoing series, Scubaverse.com’s Underwater Photography Editors Nick and Caroline Robertson-Brown talk to underwater photographers from around the world that they admire.

This week’s interview is with Christian Llewellyn.

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My Name is Christian Llewellyn. I am 43 years old and was born in Harrow, North West London. My passion in life is creation. I enjoy being able to share my life through using various mediums with others. My background revolves media and art, specialising mostly in corporate communications, film, television and photography. Social media has given us all a platform to share our Scuba lives. Thanks to social media, people are able to read my articles, see my photography, watch my films, join my photography groups and enter my underwater photography competitions.

I became a Scuba instructor in 2004 in Cyprus, and left there in 2009 as a dive centre manager and an IDC staff Instructor. After this point I was able to concentrate on the type of diving I preferred, which is visual. Videography is where I really came from but photography seems to be the more important for me as time passes.

I run a successful underwater photography group called Wrecks Of The World, which I have been building slowly over the last two years into a viable business venture. At the moment we hold monthly photo competitions, sell dive t-shirts and with the help of nearly 5000 members we inform each other on wreck news, destinations, eco-awareness, artificial reefs, history, equipment and friendship. At the end of 2016 our group climaxed with our second yearly photograph competition final with over 60 competitors, hundreds of photographs, a half hour live results feed with hundreds of people watching and even a special report on wrecks of the world and our winner on television. 

From April we will be open for business with plans for a new website, wreck directory, T-shirts and dive wear, wreck itinerary escorted trips, and a splash photo competition event held in Malta at the end of the season.

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N/C: How did your underwater photography start?

CL: I first learnt photography from my Grandfather. He worked at Kodak for a time, and for him photography was one of his passions. Learning the fundamentals with an old 35mm and a wonderful Mamiya c33 medium format camera I started various photography, art and media courses at college.

Now the underwater section comes from teaching myself how to snorkel at a very early age, fondly remembering watching Jacque Cousteau in the 70’s, learning how to free-dive, and finally in the 90’s scuba.

When I used to free-dive I only had disposable uw cameras, which had limited success and only at shallow depths. Then scuba brought me my first SeaLife 35mm with macro attachments, then various digital compact cameras until I upgraded to the mirrorless rig I have today.

N/C: What is your favourite u/w camera equipment (past & present) & why?

CL: I used to love the retro look of my reef-master camera with the square crosshair viewfinder, and the bulbous yellow housing, as it felt so 007. These days my favourite equipment is lighting. I have slowly built a collection of continual light sources, which can give me more control on experimental shots. As I sometimes find with all the logistics of underwater photography. It is somewhat easier to see the shot lit before a strobe goes of, as then you can use them to fill the gaps where needed.

N/C: What would be your advice to anyone new to underwater photography?

CL: My advice for anyone new to underwater photography would be the fundamentals:

  • Never task load – always be familiar with all your diving and photography equipment before you enter the water.
  • Positioning – Practice your buoyancy, always get close and try to take photos looking up.
  • Lighting – natural lighting will only get you so far. So think about investing in strobes or continual light sources.
  • Education – Learn about marine life. Learning the habitats and behaviours of marine life makes it surprisingly easier to capture images.
  • Skills – Lastly try an escorted photo dive trip. You will find them truly inspiring, pick up loads of tips, skills and friends.

N/C: What, or who, has been your single biggest inspiration for your underwater photography?

CL: I would have to say photo guru Paul Duxy Duxfield has been my biggest inspiration for progressing my underwater photography. From the shop floor to the bottom of the sea, his calming no frills approach at improving your diving and photography are a true investment in your time. Every trip, meeting, lecture or dive is always a respectful pleasure, for all the patience and photography knowledge he shares with you.

N/C: What are your boundaries on post-editing image manipulation?

CL: The aesthetic line between taking a photograph and creating a piece of art is never an easy subject matter for discussion. I think it truly comes down to you. What you are prepared to do to an image to give yourself a sense of satisfaction is your choice. Living and working in the media world, I realise how courageous it is to even show your work or yet have someone’s opinion obliterate any pride you had in it. So I would truly leave it up to what truly makes the individual happy with their photograph.

However if you are talking about image manipulation for competition entries, or magazine articles, then I follow the standard white balance, colour correctness, sharpness, backscatter, lens scratch procedures set out by the rules of the competition jury or the magazine editor.

Plus an experienced underwater eye can always see if an image has been over-manipulated, so for photography I would sway with less is more. However if I was creating art then the gloves are off and my editing palette is open.

N/C: Where is your favourite dive location, and is it for the photography?

CL: My favourite dive location is Shaab Abu Nuhas Reef in Egypt. I love wrecks and this site has four accessible recreational level wrecks including the Kimon M, Giannis D, Carnatic and Chrisoula K (& for the technical diver there is one more wreck at this location named the Sea star, which lays at a depth of 90m).

Shaab Abu Nuhas has everything you want for photography – wide angles big shots, marine life, coral, macro, history, easy penetration, great natural light, etc. The only negative about the site is it can get busy; so my advice is always taking it slow at the beginning. If you see everyone head inside then find another shot. Be methodical and have contingency plans for your images to receive a better-hit rate.  

N/C: What are you views on marine life manipulation, moving subjects?

CL: I grew up with watching Jacque Cousteau on the TV and at the cinema. At this time we knew so little of the underwater world, and the people making these films were celebrated as explorers. Continuing through the years it was seen as OK to handle morays or feed fish for your customers, even feed sharks, make killer whales captive, teach dolphins tricks, kill sharks and whales for nothing…. and then you have people who move a species (without knowing what effect this could have) just so they can win a competition or more likely not even get the shot anyway. I think you might know which way I’m going with this….

N/C: What do you look for when you are making your images?

CL: Diving for me is more second nature than walking through a crowed city street. What I mean is for me, the many years I have had teaching and diving, scuba does not constrict me in anyway. So in the water it is all about the photography. In essence it provides me with endless possibilities to get the shot I want, as you are not limited to gravity. For me it’s all about the combination of the angle complementing the subject matter and balancing the light with the colours and textures. All of which can be enhanced or reduced or even manipulated with all the photographic tools at my disposal underwater.

N/C: What motivates you to take u/w photos?

CL: My motivation comes from my love of creating things using many different types of mediums, and sharing them with people. Underwater I am motivated to capture the illusive perfect shot, to strive forward and take a photograph, which connects to my audience and makes them think. Something that provokes emotion, documents nature, informs and maybe the best is to know that you have inspired someone to pick up a dome port, straddle it to a housing, think out of the box, shoot from the hip, relax and enjoy every process of underwater photography.

N/C: If you could photograph any one thing/place what or where would that be?

CL: For people that know me they probably picture me heading for Chuuk Lagoon which for some is really the mecca of wrecks. However for me what I would most like to photograph are the marine iguanas of the Galapagos.

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For more from Christian, click on the following links:

Website: x-posureunderwater.com

Twitter: twitter.com/Chllewellyn

Facebook Photography Groups:

facebook.com/groups/WrecksOfTheWorld/

www.facebook.com/groups/ReefsOfTheWorld/

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

News

Spooktacular Underwater Adventure: Oyster Diving’s First Halloween Scuba Party at Mercers Lake

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halloween

Last Thursday, Oyster Diving transformed Mercers Lake into a hauntingly unforgettable underwater realm for their inaugural Halloween Scuba Party. Approximately 20 intrepid divers plunged into the darkness, weaving through a mesmerising scene of spectral decorations, glow sticks, and eerie underwater pumpkins.

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After the thrilling night dive, participants gathered to feast on a ghoulish spread of pumpkin soup, chilli con carne, and decadent fudge brownies, perfect fuel for the frightful festivities.

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With a resounding success, Oyster Diving is excited to announce plans for this event to become an annual tradition. Next year, look forward to a fully licensed bar and live music, promising an even spookier celebration under the moonlit waters.

halloween

Join us next Halloween for an experience that promises to be a haunting delight!

Find out more about Oyster Diving at oysterdiving.com.

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Marine Life & Conservation

Shark Trust launches Oceanic 31 Shark Art Auction

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After a two-year tour of UK art galleries, community spaces and aquariums, the Shark Trust’s acclaimed Oceanic31 exhibition takes its final bow at the Royal Geographical Society later this month. And the unique collection of artwork, depicting 31 species of oceanic sharks and rays, donated by 31 artists, is now open for bids from art lovers and shark enthusiasts. The online auction, launched today, will close on the 7th December at 8pm (BST). The money raised will support the Shark Trust Oceanics Programme.

People can now bid on 27 of the artworks by visiting this website:

https://superstars-auctions.com/sharktrustauction

It is a chance to own a beautiful piece of original art and to support the Shark Trust. The timing of the auction also means that these would make a very special Christmas gift for any shark-lover.

The diversity of pieces mirrors that of the sharks and rays they represent. You can bid on paintings, digital creations, sculptures, mixed media and more. You can pick your favourite artist or species of shark. Or you can select the perfect artwork to make a statement in your home or office. Whichever you choose, you will be supporting the work to protect these amazing animals.

One of the pieces of art has been selected to be auctioned live by Steve Backshall at the For the Love of Sharks event at the Royal Geographical Society in London on the 29th November. In addition to this, two further pieces will be raffled at this event, giving people a chance to win an incredible piece of shark art. For the Love of Sharks is the Shark Trust’s flagship evening. A night to celebrate sharks. Steve Backshall is the headline speaker at this event that will see other prominent shark advocates join him on stage.

Tickets for the event can be snapped up here:

https://thesharktrust.org.uk/Event/flos24

Those that would like to see the Oceanic 31 exhibition have one final chance. It is being displayed at the Pavilion at the Royal Geographic Society from 26th November until the 7th December. Entry is free.

Find out more here:

https://www.rgs.org/events/upcoming-events/oceanic-31

 Paul Cox, Shark Trust CEO, Said “This exhibition has given us the opportunity to reach out to a new audience. And inspire more people with the wonderful sharks and rays on which our Big Shark Pledge campaign is based. We are immensely grateful to the 31 artists who have worked so hard to create these works.”

Bid for your favourite Oceanic 31 artwork here:
https://superstars-auctions.com/sharktrustauction


Banner Image: Smooth Hammerhead by Alicia Hayden

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