Photo / Video News & Reviews
Learn to Love Underwater Photography
Laura Goddard of the Indonesian liveaboard Arenui talks about the advantages of signing up for an Underwater Photography workshop on a boat rather than at a dive resort
Article by Laura Goddard
Photos by Laura, Debbie and Jerry from Arenui
Photography can be a frustrating hobby, never more so than when you’re underwater. If you stop and think about some of the most challenging aspects of normal photography, such as keeping still so the shot is crisp and sharp, or getting the right light on your subject, it’s a wonder anyone ever tried to do it while wearing scuba gear! There are just so many things against us… like the sun moving behind a cloud without us realising from down at 15m, or the currents changing as you line up a shot of gently waving soft coral. Not to mention the actual marine life! Of course any wildlife photography is challenging when you can’t completely predict the creatures’ movements or willingness to participate, but underwater we have all three dimensions to deal with as our subjects potentially appear from behind, above, below (or all at the same time, if you’re lucky enough to be inside schooling barracuda).
So it would seem that budding underwater photographers need as much help as they can get. With plenty of pros willing to teach there has been a proliferation of underwater photography courses and even dedicated holidays. Sometimes these are run at dive resorts but often you can join up for a liveaboard with photography workshops included too. So what’s the best way to do it? Is it better to pop to a nice resort and sign up for some classes or is it better to book onto a special liveaboard cruise? Just as with dive holidays there are benefits to both resorts and liveaboards, but when it comes to learning or improving a skill like photography there are some great advantages to being out on a boat for a week or more with the same photo pros.
When you sign up for a photo course at a club or resort, you usually have to pack in as much practice as possible, in a specific window of time. Often classes can be a little bigger than you’d like and depending on how fast you improve you could find you don’t get as much one-on-one time with the pro. On the other hand, when you’re on a boat with the same group of people and the same instructor, it can be easier for everyone to get a turn for personal tuition.
Some guests find they benefit the most from post-dive workshops, breaking down the lessons learnt during the dive based on what critters or seascapes they all saw, but others are looking for advice on post-production so need some time at the computer station editing. It helps if the pros are happy using both windows and mac so that guests learn on the same system they’ll be using back home.
Generally, when you’re not watching the clock to see how much more time you have, it’s a more relaxing environment to study a skill and learn from an instructor, so the feedback from liveaboard photo cruises is very positive. It’s also useful to be ‘living’ with a pro where you can pick up less technical tips, so although you may find you learn a lot about composition, technique or editing, you may also pick up invaluable tips on how to attach accessories on your housing or how to fix the lights at a better angle. There’s also time to go into better dive techniques, like buoyancy and breathing that will help with photography skills, usually with a photo pro joining each group or buddy-pair for a few dives to see how each guest can improve.
One thing I learnt when trying to improve my own amateur photography underwater was not to get frustrated when things go wrong, as they inevitably do at some point. Even when you could kick yourself for doing something stupid, like letting your batteries die in the strobe, there’s usually a way around the problem – in the case of my lack of strobe on a beautiful hard coral dive, I just switched to black and white so instead of looking for colours I was concentrating on patterns and shades which actually made me appreciate the coral gardens in a new way and see things, like shapes and lines, that I hadn’t really noticed before.
But there’s one more thing to consider for an underwater photography course – where to dive! That’s as difficult as it is for any dive holiday, but if you’re considering improving your photography it would be a good idea to pick somewhere with as much variety as possible. You might expect to like muck diving but then find you’re actually a fan of wide-angle shots, or perhaps you’ve had success with great coral images when a little time on critters would be a refreshing inspiration.
Here at the Arenui we think we’re lucky to be in one of the world’s best locations for getting great images. Indonesia is truly a photographers’ dream location, as it offers such diverse underwater life with incredible hard corals but also stunning and colourful soft corals. With swim-thrus and overhangs, as well sea mounts and caves, there are also ample opportunities to try out some artistic shots. Then there are the varieties of fish life from the very tiny to the really large, so make sure to bring both the macro and wide-angle lenses.
Why choose Indonesia as an underwater photography destination?
The Indonesian archipelago, located within the Coral Triangle, boasts the world’s highest marine biodiversity and offers truly unique diving in a picturesque island setting. This region is truly a dive mecca and high on most divers’ wish-list. This triangle is home to the world’s most bio-diverse population of marine species with Indonesia representing its hottest spot.
Nowhere else has a comparable density, not to mention diversity, of underwater creatures and life been recorded. In order to fully appreciate the exceptional status of this region, suffice it to say that the whole Caribbean area has only 9% of the corals and 35% of the fish species found in Indonesian waters.
The reason for such a big difference is that the entire area of the Atlantic Ocean underwent a mass extinction of species during the last ice age. All types of corals and animals vanished during this period and the other species never regained the strength of their former numbers.
In Indonesia – the centre of this biodiversity triangle – the variety seen underwater is truly astonishing. In certain bays and around small islands, you can find more species than in the entire Caribbean. In a research report conducted in 1997 on the island of Flores, respected marine biologists Rudie Kuiter and Gerald Allen counted 1,133 species of fish just in Maumere bay. This is still the highest number of species of fish ever counted in a specific area.
In Raja Ampat, the same Gerald Allen, world-famous ichthyologist, counted the incredible number of 284 different species of fish counted during a single dive. In the same area, 465 different species of corals were found. As a result, scientists nowadays believe that this destination is the world’s current no. 1 spot in terms of biodiversity.
In Indonesia, whether it’s nudibranchs and rhinopias you’re after, or manta rays and schooling fish, this region really has it all. From black sand muck dives to crystal clear drift dives, from warm water to cold, Indonesia is a place to visit time and time again; once is never enough!
Upcoming underwater photography trips on the Arenui
If you’re keen to join a liveaboard photography cruise, here are 2 upcoming trips on the Arenui with a photo pro onboard (diving from Alor to Raja Ampat and Triton Bay), but keep a look out online for new photo trips coming soon:
DISCOVER ALOR, RAJA AMPAT AND TRITON BAY WITH MARK STRICKLAND
– 2014 Alor 11N Cruise: Embark MAUMERE on 22nd April, disembark MAUMERE on 3rd May
– 2015 Raja Ampat & Triton Bay 13N Cruise: Embark SORONG on 18th March, disembark SORONG on 31st March
On these trips, learn from professional underwater photographer Mark Strickland as we take you (and your camera) to visit some of the most photogenic dive sites in the world and meet some of the most unusual creatures in the ocean. Mark’s life-long interest in the sea has included over 10,000 dives and careers as lifeguard, boat captain and scuba instructor. His passion for underwater photography has led him to many top dive locales, including Thailand, where he spent 17 years as Cruise Director on a series of liveaboards. An avid marine naturalist, Mark has discovered several nudibranch species. He is co-author and principle photographer for Lonely Planet’s award-winning book, “Diving and Snorkeling Thailand”, and his work appears in many magazines, books and displays around the world. Currently, Mark leads several dive trips each year to his favorite destinations, while working on a career-spanning large-format pictorial book. For more on Mark’s photography and these trips, go to; www.thearenui.com/Mark-Strickland.html
To find out more about the Arenui liveaboard and the itineraries on offer please visit www.TheArenui.com
News
Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI
Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.
Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.
The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.
Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.
“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”
Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.
Unparalleled Image Quality, Day and Night
The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.
Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.
A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.
Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.
Ready for Action Anytime, Anywhere
The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.
The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.
An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.
Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.
Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.
Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.
Smarter, Easier Capture & Editing
Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.
Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:
- 4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
- Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
- Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
- Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
- Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.
Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.
The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.
Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.
Available Now
Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.
News
Introducing the Nauticam Super Macro Converter 3
The SMC-3
Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.
SMC-3 Specifications
Dimensions | OD 70mm x H 32mm |
Weight in Air | 307g |
Weight in Water | 215g |
Max Magnification (*1) | 2.4x (lens dependent) |
Working Distance (*1) | 51-103mm |
Lens Construction | 3 elements in 2 groups |
Lens Coatings | Anti-reflection Coating |
Mount Thread Diameter | M67 |
Depth Rating |
100mm |
Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Key Features
- Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
- Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
- Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
- Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
- Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.
Uncompromised Optical Quality
The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.
Stunning Magnification
When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.
Improved Sharpness and Contrast
As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.
Superb Light Transmission
All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.
Optimized for Autofocus
By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.
Ample Working Distance
Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.
Resolution
High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.
Smooth Bokeh
The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.
Avoiding Diffraction
Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.
For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.
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