Photo / Video News & Reviews
My first ever underwater photography workshop – the survival guide
The first post from our latest blogger, diving and underwater photography enthusiast Miranda-Clare. Welcome to Scubaverse! Follow her on Instagram @divingphotos or visit her website www.mirandaclare.com.
I have just walked through my door after completing my very first underwater photography workshop. Surrounded by bags, my mind full of incredible memories and a camera full of images to process, I can hardly believe it’s already over.
Diving in Lembeh for the first time, I’ve now seen critters and corals like I’ve never seen before. Despite reflecting the whole flight home, I still can’t pinpoint my favourite moment. Was it seeing mandarin fish mating for the first time? Was it photographing the coconut octopus timidly peeking out from under the shells he had assembled for a home? Or was it the flamboyant cuttlefish and it’s rippling shades of yellow and purple? Can I say all three are my favourite on top of everything else?
My first workshop experience was exciting, frustrating, tiring and satisfying all at once. If you’re about to attend or planning to attend your first ever workshop, I wanted to share my experience with you. Particularly, I wanted to share my successes and frustrations in case you found the experience intimidating and overwhelming. You’re not alone!
So… let’s begin. What should you do in advance to make yourself workshop ready?
After I confirmed which workshop I wanted to attend, I was immediately advised to start planning my flights and to carefully consider the airline I chose. Why is this important? Not all carriers have the same baggage allowance. Consider what you’re taking and find an airline which will accommodate your baggage with minimal cost. Do you plan to travel with your own dive gear? How much does your camera weigh? Will you need warm or heavy clothes? Although this is a decision that is usually made months before your workshop, it can save you big money when you go to check in.
Once you’re a few weeks out, it’s important to consider what to take. Packing can be a nightmare but my advice to you if it’s your first workshop is to keep it simple. Ask your workshop leader for a copy of the agenda and take the bare minimum you need to successfully complete planned activities.
It can be tempting to take all your toys and goodies with you but unless the learning environment requires these additional items, they will probably sit in your suitcase and weigh you down. I packed a lot of optional extras this trip, thinking I’d get them out when we had a ‘free dive’. When it came down to it, all I wanted was to master the new techniques I was learning and focus on shooting in a new way. After all, I came here to try something new, not shoot how I’ve always done in the past.
Having said that, if you have back-up items bring them. Spare strobes, o-rings, chargers, cables, batteries, etc. You can never predict an accidental breakage, flood or mysterious performance issue with equipment. Expect the unexpected and be prepared to utilise a backup if required.
To minimise breakage or damage to your equipment, invest in a good quality camera bag and take as much of your equipment as carry-on as possible. I would strongly advise that you never check-in expensive or delicate equipment. You don’t want theft or breakage cutting your trip short before you’ve even stepped foot in the water.
Okay, now the heavy lifting is out of the way, let’s move onto the workshop itself. Let’s talk about comfort and confidence!
Now you’ve finally arrived at your workshop you will no doubt be excited to jump in the water and start shooting! At the same time, you will be starting to meet the other photographers who have joined the trip. Maybe you’ve found yourself surrounded by other first time workshoppers, or perhaps you’ve found that there are some experienced and accomplished photographers who have joined the group.
For me personally, I had a lot of experienced photographers on my trip who had incredible portfolios. At first, I found this incredibly intimidating. Am I good enough to be here? Will I look silly when it comes to sharing images with the group? I put so much pressure on myself to get great images right away.
The first two days of the trip, I couldn’t quite get into my rhythm. I made a lot of silly mistakes and wasn’t quite getting the shots I wanted. I remember thinking to myself “I know I can do better than this”, “what’s happening?”, “what will other people think?”. Then something on day three clicked and I had an epiphany that I wanted to share with anyone who may feel the same way on their first workshop.
You’re there to learn. You’re there to try something new and push the boundaries of your comfort zone. Part of growing is making mistakes, learning from them and pushing through your frustration. I realised when you’re trying a new technique, it’s almost inevitable to take a step backward to take three steps forward… and that’s okay. The more you practice and get valuable feedback on your work, the more you will find yourself growing. Ultimately, it’s very satisfying at the end of the week looking at your images to realise how far you’ve come.
I learned to embrace the difference of skills, abilities and taste in my group and get feedback on my images. You know what? It really wasn’t so bad. In fact, it was really positive. I learned so many tips and tricks from my group just by taking the plunge and sharing the photos I loved and those that I already knew I wanted to improve.
I totally appreciate how difficult this can be, trust me, especially when you’ve got some really gifted and experienced members in your group. Just remember that everyone starts somewhere and the group that you’re with are there for the same purpose. Everyone wants to grow and improve. This is a collaborative, group learning environment and how often are you in a position where you receive this kind of valuable, constructive feedback in everyday life.
Wrapping up this post and choosing which images to include, I realise just how much I am taking away from my first photo workshop. I am of course carefully scrutinizing images, wishing I’d done this or that with each one. However, more importantly, I’m remembering how much I enjoyed capturing each image and how each one represents a new way of photographing each subject. I can’t help but think about the new friends I’ve made and the laughs we had above and below the water. These memories, above all else, are the ones that will stay with me as I head back into reality and prepare for my next diving adventure.
Miranda-Clare attended the Lembeh photo workshop at Dabirahe with Suzan Meldonian.
All photos by Miranda-Clare Iddon – www.mirandaclare.com
News
Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI
Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.
Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.
The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.
Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.
“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”
Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.
Unparalleled Image Quality, Day and Night
The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.
Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.
A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.
Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.
Ready for Action Anytime, Anywhere
The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.
The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.
An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.
Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.
Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.
Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.
Smarter, Easier Capture & Editing
Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.
Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:
- 4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
- Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
- Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
- Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
- Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.
Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.
The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.
Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.
Available Now
Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.
News
Introducing the Nauticam Super Macro Converter 3
The SMC-3
Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.
SMC-3 Specifications
Dimensions | OD 70mm x H 32mm |
Weight in Air | 307g |
Weight in Water | 215g |
Max Magnification (*1) | 2.4x (lens dependent) |
Working Distance (*1) | 51-103mm |
Lens Construction | 3 elements in 2 groups |
Lens Coatings | Anti-reflection Coating |
Mount Thread Diameter | M67 |
Depth Rating |
100mm |
Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Key Features
- Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
- Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
- Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
- Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
- Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.
Uncompromised Optical Quality
The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.
Stunning Magnification
When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.
Improved Sharpness and Contrast
As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.
Superb Light Transmission
All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.
Optimized for Autofocus
By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.
Ample Working Distance
Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.
Resolution
High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.
Smooth Bokeh
The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.
Avoiding Diffraction
Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.
For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.
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