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Marine Life & Conservation

Diving with Dolphins

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It is said that the best way to swim with and video dolphins is to free dive with them. I’m not sure that’s true. There are of course occasions when marine mammals are very nervous of things they don’t understand. A diver blowing noisy bubbles would be one of those things. Let’s think about dolphins. They are extremely smart, a master of their environment. No matter if you are free diving or wearing an air tank, the dolphins know exactly where you are and quite possibly what you are.

As soon as you enter the water, what happens next is entirely up to the dolphins. If they want to play they will, if they are feeding, then you probably won’t be able to keep up with them. If they are simply hanging out then who knows?

There are occasions when free diving does seem to work better and allows for closer contact but this is not the golden rule.  Not being a very good free diver I have always, where possible, used air tanks and mostly come away with great results. There are advantages and disadvantages to both free diving and scuba. As already mentioned free diving may on occasion let you get closer but air tanks give you a lot more time and you don’t have to surface for air just as things are starting to get good. Air tanks also allow you time to think about your sequence.

A good example of this is two very different films I have worked on with groups of Spotted Dolphins on the Bahaman Grand Banks.

The first occasion I met and filmed with them was from a boat that had very strict rules about how to behave when encountering dolphins. It was free diving only and absolutely no physical contact. We were to observe the dolphins in the wild, video what behaviour we could and that was all. I could understand this as people do get extremely self centred and start to chase and harass dolphins just to get that ‘dolphin experience’. So although a little frustrating, it made perfect sense to me for the rules of this particular boat to be so strict. We swam with the dolphins and filmed while free diving. We got some nice stuff and felt quite pleased at the end of the shoot.

It was two years later that I was sent to film the same groups of dolphins using another boat, only this time the approach of the skipper was very different indeed. As with the previous skipper two years previously, an association with the dolphins had been going on for many years, only here, play was the order of the day as well as observation.

Within the first day of being out at sea we came upon a group of fifty dolphins. It was one of those typical Bahaman Bank days. The sea was pond calm and clear. The golden sand below shimmered up through the two or six metres depth of water and the pale blue of it merged effortlessly on the horizon with the vivid blue sky.

The dolphin pod could be seen hundreds of metres away and were very slowly and deliberately cruising towards us. The camera gear had been ready on deck since the early hours of the morning, before we even left port, so I had a moment just to stand and look. It was like a perfect painting where all the colours, light, composition and animals are all meticulously placed in an impossibly wonderful arrangement. But this was real and I was spell bound.

But I was here to film so I picked up the camera and started with a few wide GV’s (general views) just to set the scene. Then as the dolphins came closer I went for a few mid shots and close ups. It was all so easy.

Then I noticed our skipper was sat on the back platform starting a petrol driven water scooter. Its 2 stroke engine coughed into life and was thrown into the water followed almost immediately by our skipper. I must confess to being more that a little surprised. Surely he doesn’t hope to get near them with that? Within seconds he was careering through the water surrounded by a very playful group of Spotted Dolphin.  Noisily with protesting puffs of exhaust, the little scooter was weaving and dancing with the excited dolphins.

After a few minutes, the scooter was discarded and bobbed silently and alone while our skipper simply swam and played with the dolphins as they played just as enthusiastically with him. Having covered things from the surface it was at last time for me to get into the water. We had two cameras on the shoot and so one was dedicated to the underwater housing which meant I could get in without any delay. There was absolutely no need for any lighting under the high bright sun. Unlike our skipper I was wearing a tank. Within moments I was in the water spinning, tumbling and rolling, with dolphins doing the same all around me. Then after about half an hour of playing we all relaxed and simply chilled out together in mid water and on the shallow sandy sea bed. Now I was really getting some beautiful video. Gentle dolphin to dolphin interaction, mothers and calves, feeding, playing……. And most importantly of all for the premise of the film, human and dolphin together in perfect harmony and acceptance. You know, it’s quite hard to smile underwater and keep a regulator in your mouth.

I must say at this point that this particular encounter was not just a chance meeting. Our skipper had been developing a friendship with these dolphins for nearly 20 years. Slowly at first and then gradually evolving into personal contact and recognition from both man and dolphin as the years went by. It was wonderful to see and be part of. It was sharing, for a brief moment of time, an ocean with another species. It was a mutual attempt at understanding.

Needless to say the following few days resulted in some fantastic video of dolphin behaviour both human induced and natural.  All done on scuba.

I do believe that success in filming animals in the wild is greatly a state of mind. Be relaxed, non threatening, understanding and when possible try to get the attention and curiosity of the animals you are filming. Give them the opportunity to look at you.

Jeff is a multiple award winning, freelance TV cameraman/film maker and author. Having made both terrestrial and marine films, it is the world's oceans and their conservation that hold his passion with over 10.000 dives in his career. Having filmed for international television companies around the world and author of two books on underwater filming, Jeff is Author/Programme Specialist for the 'Underwater Action Camera' course for the RAID training agency. Jeff has experienced the rapid advances in technology for diving as well as camera equipment and has also experienced much of our planet’s marine life, witnessing, first hand, many of the changes that have occurred to the wildlife and environment during that time. Jeff runs bespoke underwater video and editing workshops for the complete beginner up to the budding professional.

Marine Life & Conservation

Shark Trust launches Oceanic 31 Shark Art Auction

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After a two-year tour of UK art galleries, community spaces and aquariums, the Shark Trust’s acclaimed Oceanic31 exhibition takes its final bow at the Royal Geographical Society later this month. And the unique collection of artwork, depicting 31 species of oceanic sharks and rays, donated by 31 artists, is now open for bids from art lovers and shark enthusiasts. The online auction, launched today, will close on the 7th December at 8pm (BST). The money raised will support the Shark Trust Oceanics Programme.

People can now bid on 27 of the artworks by visiting this website:

https://superstars-auctions.com/sharktrustauction

It is a chance to own a beautiful piece of original art and to support the Shark Trust. The timing of the auction also means that these would make a very special Christmas gift for any shark-lover.

The diversity of pieces mirrors that of the sharks and rays they represent. You can bid on paintings, digital creations, sculptures, mixed media and more. You can pick your favourite artist or species of shark. Or you can select the perfect artwork to make a statement in your home or office. Whichever you choose, you will be supporting the work to protect these amazing animals.

One of the pieces of art has been selected to be auctioned live by Steve Backshall at the For the Love of Sharks event at the Royal Geographical Society in London on the 29th November. In addition to this, two further pieces will be raffled at this event, giving people a chance to win an incredible piece of shark art. For the Love of Sharks is the Shark Trust’s flagship evening. A night to celebrate sharks. Steve Backshall is the headline speaker at this event that will see other prominent shark advocates join him on stage.

Tickets for the event can be snapped up here:

https://thesharktrust.org.uk/Event/flos24

Those that would like to see the Oceanic 31 exhibition have one final chance. It is being displayed at the Pavilion at the Royal Geographic Society from 26th November until the 7th December. Entry is free.

Find out more here:

https://www.rgs.org/events/upcoming-events/oceanic-31

 Paul Cox, Shark Trust CEO, Said “This exhibition has given us the opportunity to reach out to a new audience. And inspire more people with the wonderful sharks and rays on which our Big Shark Pledge campaign is based. We are immensely grateful to the 31 artists who have worked so hard to create these works.”

Bid for your favourite Oceanic 31 artwork here:
https://superstars-auctions.com/sharktrustauction


Banner Image: Smooth Hammerhead by Alicia Hayden

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Marine Life & Conservation

Meet Steve Backshall in the Bite-Back Prize Draw

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steve backshall

Until 28 November, prizes worth a massive £10,000 – including experiences, products and tuition – feature in a line-up of items that can be won for £5 in an online prize draw to celebrate Bite-Back Shark & Marine Conservation’s 20th anniversary and help generate crucial funds for the future.

Top of the list of prizes is the chance to spend time with adventurer and wildlife expert Steve Backshall, a workout session with Nat Geo star Aldo Kane, a kayaking trip alongside white-water expert and diver Sal Montgomery and a Zoom call with ‘shark whisperer’ Cristina Zenato.

On top of that, some of the most admired companies in the diving and scuba industry have been quick to support the charity with fabulous prizes that make the £5 ticket price worth more than just a flutter.

Master Liveaboards, BSAC, Midlands Diving Chamber, Go Freediving and Blue Shark Snorkel have all generously donated experience prizes, while celebrated photographer Alex Mustard has donated a print and artists Scott Gleed and Olivier Leger have donated a sculpture and illustration to help boost the fundraising pot.

Fourth Element has donated Ocean Positive gear and LA watch company Nodus has gifted the charity a stunning dive watch. For land lovers, the charity has included a five star London hotel stay at Bankside Hotel plus a family visit to Longleat Safari Park in the roster of prizes.

Campaign director for Bite-Back, Graham Buckingham, said: “We’ve been overwhelmed with support from companies and individuals that we truly admire and who have supported us on our 20 year journey and we’re truly grateful to them all. While we feel incredibly proud of our achievements over the past two decades – and we are super excited about the next chapter – this prize draw isn’t a vanity project. It represents a real lifeline to our work and important advancements in the global protection of sharks. So we hope divers, dive clubs and even bargain hunters grab some tickets to make this a massive success.”

The charity hopes that the prize draw will generate crucial funds to launch a brand new, ground-breaking, campaign to enrol the public and increase support for the protection of sharks around the world.

To enter the competition visit www.bite-back.com/prizedraw. The prize winners will be announced on 1 December 2024.

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