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Breaking News – Stunning underwater images star in Outdoor Photography of the Year 2018 awards

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After another epic competition that attracted over 20,000 entries – more than any previous year – and saw photographers from around the globe submitting their most inspiring work, OPOTY have announced today the overall winner and category winners of the 2018 competition.

Now in its eighth year, OPOTY is one of the world’s foremost photography competitions in this genre. Its aim is to reveal and celebrate the outstanding work of the most highly talented image makers out there and offer up a powerful insight into the landscapes, wildlife and nature of the planet, and the adventures to be found on it.

Once again OPOTY have partnered with the UK distributor of legendary outdoor gear manufacturer Fjällräven, who have generously offered a £500 Fjällräven Award for each Category Winner to kit themselves out with the equipment of their choice to match their style of photography and the environments they shoot in.

The category winning photographers come from around the globe, and this year the competition received over 20,000 images entered by professional and amateur photographers from over 60 countries, including South Africa, Australia, USA, Canada, Italy, Spain, the UK and the Falkland Islands! The category winning images take us from beneath the waves in French Polynesia, to the rock face of El Capitan in Yosemite National Park; from the wetlands of Louisiana to the wrestling pits of Varanasi, India; and from the underwater caves of the Yucatán Peninsula to the snowy South Pennines of Yorkshire.

Head judge Steve Watkins, editor of Outdoor Photography magazine, had this to say: “The judges were blown away by the quality of work that we looked at this year, and it shows that the world of outdoor photography is thriving like never before, thanks to the hard work, fresh thinking and deep passion brought by the photographers. There were so many outstanding images and it was incredibly tough to boil it all down to the final selection; those photographs that just had an extra edge and impact to them, whether in terms of creative or technical expertise, or both. The competition is going from strength to strength, with the quality bar being raised each year.”

Here are some of the superb underwater that were awarded in the OPOTY 2018 awards.

Live the Adventure – Winner

Greg Lecoeur (France)

Rangiroa, French Polynesia

“Passionate about the marine world, I usually travel to the different oceans of the planet to photograph marine creatures. But in Polynesia it was another type of creature that I immortalised. One of my dreams was to go and face the waves breaking on the reefs and see how surfers were able to tame the power of nature. It was in Rangiroa in the small pass of Avaturu that I dipped my fins with the local surfers. That day the waves were powerful and I hesitated to get into the water but the good lazy atmosphere on the site motivated me and we shared exciting moments in the middle of thunderous waves.”

Nikon D7200 with Tokina 10-17mm lens, ISO 200, 1/250sec at f/9, Nauticam underwater housing

Under Exposed – Winner

Greg Lecoeur (France)

Shetland Islands, Scotland

Presumed to have been introduced to the Shetland Isles during Viking times, or maybe earlier, the otter has adapted to marine life and proliferated. More used to living in the rivers and lakes of Scotland, they are now found along the coastline and dive into the sea to feed on marine animals, especially crustaceans – some of the more experienced otters attack octopuses. The otter is a very fearful and shy animal, so to make this image it was necessary to spend time studying its behavior and habits at sea. Once I was immersed, it was necessary to be patient. I was lucky to eventually have the opportunity to capture this image.

Nikon D7200 with Tokina 10-17mm lens, ISO 200, 1/250sec at f/9, Nauticam underwater housing, two Ikelite DS160 underwater strobes

To see more of Greg’s work visit his website by clicking here.

Under Exposed – Runner-up

Pier Mane (Italy and South Africa)

Protea Banks, KwaZulu-Natal, South Africa

“Protea Banks is an underwater reef on the east coast of South Africa that is under consideration for protected area status. Amazing creatures such as this cephea (or crown) jellyfish live there. It was the biggest jellyfish I’ve ever seen, over one metre in diameter. Its purple head and yellow fuselage were simply amazing. With no background objects present to provide perspective, and wishing to exalt this crown jellyfish with its stunning colours, majestic size and dancing elegance, I opted to purposefully crop the jellyfish to fill the frame.”

Olympus OM-D E-M1 with Olympus 9-18mm lens at 9mm, ISO 400, 1/250sec at f/16, two Sea&Sea YS-D1 strobes

To see more from Pier Mane visit his Facebook site by clicking here.

Under Exposed – Commended

Judith Conning (Australia)

Vava’u, Kingdom of Tonga

“This image was captured on a dream trip to swim and snorkel with the magnificent humpback whales and their calves in the warm tropical waters of Tonga, their winter breeding ground. On the first trip of the day a very energetic calf joined us that just wanted to play with these tiny creatures that were bobbing around on the surface, while his mother slept 20m below. I allowed myself to sink a little below the surface so I could fill the frame as the calf slowly rose towards the light, surrounded by a fizz of bubbles.”

Olympus TG-5 compact camera with 7mm lens, ISO 200, 1/500sec at f/2.8, Ikelite housing with dome port


For more information about the Outdoor Photography of the Year 2018 competition and to see the overall winner, visit their website by clicking here.

 

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

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Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI

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insta360

Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.

Co-engineered with Leica, it delivers serious performance upgrades with the industry-first dual AI chip and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.

The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit, and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.

insta360

Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with an integrated Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.

“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”

Insta360 Ace Pro 2 is available to order today worldwide via Insta360.com, as well as trusted retailers and select authorized partners.

Unparalleled Image Quality, Day and Night

The Leica SUMMARIT lens immediately sets it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.

Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR (High Dynamic Range), and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.

A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° lens FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.

Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.

Ready for Action Anytime, Anywhere

The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.

The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.

An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.

Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.

Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands, including Garmin, Apple, COROS, and more. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride.

Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.

insta360

Smarter, Easier Capture & Editing

Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density, a 6% increase in brightness and a 100% increase in flip durability, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.

Internally, Insta360 Ace Pro 2 offers innovative solutions to problems that have hindered action enthusiasts for years:

  •   4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
  •   Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
  •   Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
  •   Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
  •   Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.

Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.

The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.

Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.

Available Now

Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, Battery, Standard Mount, Mic Cap, and USB-C Cable. The dual battery bundle includes the same accessories and two batteries for US$419.99.

www.insta360.com

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Introducing the Nauticam Super Macro Converter 3

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Nauticam SMC-3

The SMC-3

Nauticam is proud to introduce the SMC-3, the latest evolution in our line of water contact optics! Designed as a renewed version of the acclaimed SMC-1, the SMC-3 boasts a lightweight build—now only one-third the weight of its predecessor—without compromising on optical performance.

SMC-3 Specifications

Dimensions OD 70mm x H 32mm 
Weight in Air 307g
Weight in Water 215g
Max Magnification (*1) 2.4x (lens dependent)
Working Distance (*1) 51-103mm
Lens Construction 3 elements in 2 groups
Lens Coatings Anti-reflection Coating
Mount Thread Diameter M67
Depth Rating

100mm

Nauticam SMC-3

Tested with Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

Key Features

  • Ultra-Lightweight Design: Weighing in at just one-third of the SMC-1, the SMC-3 offers unparalleled portability for on-the-go use.
  • Superior Optical Performance: Enjoy the same exceptional clarity and precision you’ve come to expect from the SMC series.
  • Increased Working Distance: The redesigned lens allows for a greater working distance, meaning it’s easier to use and provides enhanced versatility.
  • Premium Materials: Crafted with advanced materials to enhance durability while minimizing weight.
  • Cost-Effective: Slightly more affordable than the discontinued SMC-1, the SMC-3 delivers exceptional value.

Uncompromised Optical Quality

The Super Macro Converter 3 is constructed from lenses that are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.

Stunning Magnification

When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.4X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor.

Improved Sharpness and Contrast

As the Super Macro Converter 3 is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast.

Superb Light Transmission

All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn’t suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission.

Optimized for Autofocus

By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range.

Nauticam SMC-3

Ample Working Distance

Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects.

Resolution

High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air.

Smooth Bokeh

The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing.

Avoiding Diffraction

Due to the overall superior optical performance of the SMC-3 it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.

For more information about the Nauticam Super Macro Converter 3, which ships in November, click here.

www.nauticam.com

 

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