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Being Horizontal… ‘Cave Trim’ – the elusive goal

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Watch a group of well-trained divers in the water — especially cave divers or technical divers — and you’ll notice they look a little different to most casual sport divers.

How different?

Well, the cave/technical/well-trained sport divers will be lying on the water (usually horizontal) rather than standing in it. Here’s what I mean:

A typical cave diver in trim… lying on the water
Photo: Tom St George

And here’s a picture of a group with a different in-water attitude:

A diver enjoying the water but working hard…
Photo: Dean McConnachie

So, let’s assume you’re not looking at those pictures and saying to yourself: “What’s the big deal?” Or “I can’t see any difference.”

Given that, let’s also assume you are interested in finding out why cave trim is preferred over the other. It’s not that anything other than horizontal is wrong. It’s just there’s something easier and better. (For the record, horizontal trim is not always exactly horizontal — occasionally the correct attitude in the water is head or feet down at varying angles for short periods — but it is the default.

Reason one to be horizontal: moving through the water is easier. You are streamlined and therefore water resistance moving ahead and backwards is at a minimum. Even with extra gear (more bottles, pockets full of tools and spanners, a pouch with backup mask, spare dive computer, lights, bits of string and a chicken sandwich), moving through the water in any direction is easier compared to swimming at it full-frontal. When a diver is streamlined, the thrust from each and every fin kick is translated into graceful movement. Progress from point A to point B and back again is more efficient, less work, uses less energy, uses less gas.

Reason two: when a diver’s flat in the water, she meets maximum water resistance going up or down. This helps her maintain position in the water column. Of course, this is a small effect compared to having buoyancy dialled in, but it’s nevertheless a factor.

One salient point when comparing cave trim to fins down orientation, is that being horizontal teaches good habits regarding buoyancy control. There is no temptation to kick to stay in place as there is with fins-down orientation. (For example, although the group picture above isn’t a video, I’d lay dollars to donuts that the two divers on the left and the one on the right are all working hard to maintain their position in the water column while the picture is being taken. They seem to have poor buoyancy control, and staying in place is an effort for them.

The cave diver pictured above is motionless, and literally hanging in the water waiting for the photographer — Tom St. George — to signal “okay. Got it!”)

Reason three: a diver in horizontal trim is much less likely to stir up silt and mud or damage whatever is below them. In fact, when using the correct propulsion technique (frog kick generally) and by keeping the knees bent and thighs parallel to her lateral line, a diver can be a hand’s breadth from the bottom and move without disturbing anything at all. This diagram may help illustrate the point.

When in horizontal trim, arch the back slightly by clenching your butt cheeks… think “Flamenco Dancer Skydiving.”
Illustration courtesy of Andy Davis, Scuba Tech Philippines

Okay, so how does one attain horizontal trim?

In a word: practice.

In more detail: commitment and practice!

Practice needs little explanation. Be patient, spend the time. A great approach is to dedicate a few dives to nothing but working on trim.

For an in-water exercise, get to a pool or shallow, calm waters, and dive with a buddy who has an underwater video camera to track your progress. Start by resting prone on a flat ledge or the pool bottom and gradually add a little lift to your buoyancy cell.

Critical to mastery is sticking to it (that’s the commitment), that and understanding the relationship between four things: gravity, buoyancy, you, your gear.

Essentially, you need to balance each of these things to come up with a perfect result. Luckily, two of them are constants and pull in exactly opposite directions. Gravity pulls you deeper, buoyancy pulls you towards the surface.

Simple… well, almost. What complicates matters are the other two things: you and the gear you are wearing.

Now let’s just say for brevity, you have reached the point where you have gravity and buoyancy perfectly balanced. Something called neutral buoyancy. You are not overweighted. You are not under-weighted. And in shallow water you are able to hover without moving your hands and feet.

At this point — hovering — you’re off to a great start. But now you need to get horizontal and stay there without moving your hands or feet (don’t scull, don’t swim, just hang in the water). Try it. If you’re lucky, it will work. Most likely though you’ll either tilt head down or feet down.

Let’s think about that situation for a minute.

As a for instance, say you need two kilos of ballast (lead weight) to achieve neutrality. These weights are over and above the ballast that’s a result of your scuba cylinders, lights, reels, and all the other crap we carry with us on a dive.

Now, divers usually carry lead ballast around their waist, so let’s says yours is about your mid-point. Now consider what would happen if we were to move that weight to the ends of your fins. Your feet would naturally swing down pulling you, your body, your kit, into a straight up and down orientation. Kind of similar to what happens when a “robust” child get on one end of a teeter-totter (a see-saw) and the “runt of the litter” is sitting on the opposite end.

Okay, so what would happen if you were silly enough to put the weights on your mask strap. Well, to begin with you’d orient head down and then your mask would most likely fall off. Goodbye mask. But if we think about the see-saw situation, same deal except now runt’s pet elephant is sitting on his lap and Robusto is up in the air.

You get the point. You are dealing with a lever. To achieve balance, either the weights on both ends have to be similar, or the distance from the balance point — the fulcrum — has to compensate for any difference. That’s to say, moving stuff that sinks in the water — weights in this instance, but also all the other bits and pieces of kit — is going to have a direct effect on in-water orientation.

Weights sink, so do scuba cylinders, lights, cameras, and a whole lot more including the gas we breathe (more than 2.5 kilos of “air” in a standard aluminium 11-litre tank for example). Understanding that moving each of these things away from your balance point has the potential to influence trim is key.

To achieve cave trim you want balance. Moving things around — even swapping light fins for heavier ones — can make that happen… or not.

But before that, you perhaps should consider things that have an effect on buoyancy: lungs, buoyancy cell (BCD, wing, etc.), drysuit, thick wetsuit. And each of these is a variable.

Also — and this is where things get interesting — things that are buoyant supply lift and the location of that lift can have an influence on trim as well. (Ask a new drysuit diver about their experience with floaty feet.)

You can experience something similar by moving a cylinder up and down in its retaining straps on a standard BCD.

All this serves to show us that the see-saw analogy used earlier may actually be an over simplification. It would be better to think of a fully kitted diver as a beam with a variable balance point rather than a simple lever with a fixed fulcrum.

Hang on. This has started to get a little over-the-top and way too complicated to explain without using Venn diagrams and video. No worries. Let’s stop now while we’re ahead because in truth, the take-away is essentially unchanged. You have the basics. Now let’s get in the water and practice.


Steve Lewis’s new book, Death in Number Two Shaft: the underwater exploration of Newfoundland’s Bell Island Mine, is available now on Steve’s website or from Amazon UK

Find out more about Steve at www.techdivertraining.org.

Steve Lewis is an author, adventure travel writer, and generalist, who dislikes dive gear but who loves to dive. A specific interest is cave diving, which he regards as "the most creative way to learn mindfulness, meditation, and relaxation.” He lives in a converted schoolhouse in Ontario’s cottage country with coyotes, white pines, and the Great Lakes as neighbours.

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Spooktacular Underwater Adventure: Oyster Diving’s First Halloween Scuba Party at Mercers Lake

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halloween

Last Thursday, Oyster Diving transformed Mercers Lake into a hauntingly unforgettable underwater realm for their inaugural Halloween Scuba Party. Approximately 20 intrepid divers plunged into the darkness, weaving through a mesmerising scene of spectral decorations, glow sticks, and eerie underwater pumpkins.

halloween halloween

After the thrilling night dive, participants gathered to feast on a ghoulish spread of pumpkin soup, chilli con carne, and decadent fudge brownies, perfect fuel for the frightful festivities.

halloween

With a resounding success, Oyster Diving is excited to announce plans for this event to become an annual tradition. Next year, look forward to a fully licensed bar and live music, promising an even spookier celebration under the moonlit waters.

halloween

Join us next Halloween for an experience that promises to be a haunting delight!

Find out more about Oyster Diving at oysterdiving.com.

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Marine Life & Conservation

Shark Trust launches Oceanic 31 Shark Art Auction

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After a two-year tour of UK art galleries, community spaces and aquariums, the Shark Trust’s acclaimed Oceanic31 exhibition takes its final bow at the Royal Geographical Society later this month. And the unique collection of artwork, depicting 31 species of oceanic sharks and rays, donated by 31 artists, is now open for bids from art lovers and shark enthusiasts. The online auction, launched today, will close on the 7th December at 8pm (BST). The money raised will support the Shark Trust Oceanics Programme.

People can now bid on 27 of the artworks by visiting this website:

https://superstars-auctions.com/sharktrustauction

It is a chance to own a beautiful piece of original art and to support the Shark Trust. The timing of the auction also means that these would make a very special Christmas gift for any shark-lover.

The diversity of pieces mirrors that of the sharks and rays they represent. You can bid on paintings, digital creations, sculptures, mixed media and more. You can pick your favourite artist or species of shark. Or you can select the perfect artwork to make a statement in your home or office. Whichever you choose, you will be supporting the work to protect these amazing animals.

One of the pieces of art has been selected to be auctioned live by Steve Backshall at the For the Love of Sharks event at the Royal Geographical Society in London on the 29th November. In addition to this, two further pieces will be raffled at this event, giving people a chance to win an incredible piece of shark art. For the Love of Sharks is the Shark Trust’s flagship evening. A night to celebrate sharks. Steve Backshall is the headline speaker at this event that will see other prominent shark advocates join him on stage.

Tickets for the event can be snapped up here:

https://thesharktrust.org.uk/Event/flos24

Those that would like to see the Oceanic 31 exhibition have one final chance. It is being displayed at the Pavilion at the Royal Geographic Society from 26th November until the 7th December. Entry is free.

Find out more here:

https://www.rgs.org/events/upcoming-events/oceanic-31

 Paul Cox, Shark Trust CEO, Said “This exhibition has given us the opportunity to reach out to a new audience. And inspire more people with the wonderful sharks and rays on which our Big Shark Pledge campaign is based. We are immensely grateful to the 31 artists who have worked so hard to create these works.”

Bid for your favourite Oceanic 31 artwork here:
https://superstars-auctions.com/sharktrustauction


Banner Image: Smooth Hammerhead by Alicia Hayden

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