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Pierre-Yves Cousteau’s Children of the Sea

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I was a child the first time I saw the ocean. Standing on the sandy shore, the surf washed gently upon my feet. My mind and heart were immediately captured, dissolved into the blue vastness. I stood silently, absorbed and mindless, overwhelmed by the crashing of waves that echoed my own breathing. I entered the agitated waters. The force of this element bewildered me: pulling me in and pushing me out, offering no resistance to soft movements, yet countering force with hard crashing. For a moment I thought I had her laws figured out and began to play in her waves. The first one took me and threw me to the sandy bottom, pinning me there for what seemed to last forever, as the need to breathe became more urgent and daunting. Finally she released me, and I crawled back onto the shore, panting, exhilarated and confused. No, I had not figured her out, and she had shown me for the first time what fate she reserves to men who believe they do.

When I was nine years old, my father strapped a SCUBA tank to my back and took me diving for the first time. Like most people do, I panicked when I had to take off my mask for the first time. It was not sufficient that I could breathe in this unfamiliar environment; I had to see my surroundings in order to feel safe. Since then I have dived a thousand times, in almost every sea of the planet. Every time, my visceral connection to the ocean is strengthened. Every time, my intuitive understanding of the complex marine ecosystems is sharpened. And every time, about 35 minutes into the dive, I am submerged by a feeling of bliss and belonging that seems to whisper to my soul: “stay here”, as if a long evaporated drop of the sea had returned to visit, only for a while. A similar feeling to meeting a loved one who has passed away, in a dream. As if the truth in this life was not in separation, but in unity.

I am writing these lines from the sunny shores of Raja Ampat, to the far east of the Indonesian archipelago. Here, nature is lush and exuberant, both on land and beneath the mirroring surface of the sea. On my recent dives, I have recognized what I call the layered skins of the reef. Around the colorfully chaotic coral reefs, clouds of tiny fish expand and contract as larger predators zip by, like a heart, beating to a mysterious and unpredictable rhythm. Further out lies a concentric layer of larger fish, an interface between this ecosystem and the deep blue sea. Individuals who form this outer shell regularly migrate down to the reef, and then back to their school. I cannot help but to see this entire system as a living cell, with its living membrane and commuting proteins.

As I hunt for large predators with my underwater camera, I feel I can read these movements and have developed a sense of bio-intuition, which points me to where I am likely to encounter a passing manta ray, a shark, a turtle… and sometimes, nothing at all. Alone in the infinite blue, with no point of reference but the distant surface above me, I am insignificant, and I am home. I soon realize that I am not alone, as the strident song of unseen dolphins penetrates my bones. As I open my eyes to the microscopic particles around me, I discover a galaxy of living beings, oblivious to my bubbly presence, playing a crucial role as the primary producers of oxygen and biomass.

Finishing the dive, I return to the surface, tired and serene. Once again the ocean has dissolved my inner space and emptied my mind, filling my imagination with fleeting images of untamed beauty. Returning to the world of humans, I feel outraged by straight lines and perpendicular constructions of cold cement and steel, who rapidly drain my peace and dull my focus. Even here, far away from cities and roads, the beaches bear the scars of our legacy to future generations, all covered in plastic litter and debris.

In these last refuges of ocean wilderness, I have encountered not only the organisms and systems that keep us alive, but also the beauty and bewilderment that make us human. The ocean is an endless source of amazement and a constant reminder of humility. It has shaped our world for eons, nurtured our everyday lives, and inspired countless generations. Today, as the turbulent children of the sea that we are, we must find the ways to recognize our unbreakable bond, and to protect what must be, for our children and theirs.

www.cousteaudivers.org

For more blogs from Pierre-Yves Cousteau, visit cousteaudivers.wordpress.com.

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Spooktacular Underwater Adventure: Oyster Diving’s First Halloween Scuba Party at Mercers Lake

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halloween

Last Thursday, Oyster Diving transformed Mercers Lake into a hauntingly unforgettable underwater realm for their inaugural Halloween Scuba Party. Approximately 20 intrepid divers plunged into the darkness, weaving through a mesmerising scene of spectral decorations, glow sticks, and eerie underwater pumpkins.

halloween halloween

After the thrilling night dive, participants gathered to feast on a ghoulish spread of pumpkin soup, chilli con carne, and decadent fudge brownies, perfect fuel for the frightful festivities.

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With a resounding success, Oyster Diving is excited to announce plans for this event to become an annual tradition. Next year, look forward to a fully licensed bar and live music, promising an even spookier celebration under the moonlit waters.

halloween

Join us next Halloween for an experience that promises to be a haunting delight!

Find out more about Oyster Diving at oysterdiving.com.

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Marine Life & Conservation

Shark Trust launches Oceanic 31 Shark Art Auction

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After a two-year tour of UK art galleries, community spaces and aquariums, the Shark Trust’s acclaimed Oceanic31 exhibition takes its final bow at the Royal Geographical Society later this month. And the unique collection of artwork, depicting 31 species of oceanic sharks and rays, donated by 31 artists, is now open for bids from art lovers and shark enthusiasts. The online auction, launched today, will close on the 7th December at 8pm (BST). The money raised will support the Shark Trust Oceanics Programme.

People can now bid on 27 of the artworks by visiting this website:

https://superstars-auctions.com/sharktrustauction

It is a chance to own a beautiful piece of original art and to support the Shark Trust. The timing of the auction also means that these would make a very special Christmas gift for any shark-lover.

The diversity of pieces mirrors that of the sharks and rays they represent. You can bid on paintings, digital creations, sculptures, mixed media and more. You can pick your favourite artist or species of shark. Or you can select the perfect artwork to make a statement in your home or office. Whichever you choose, you will be supporting the work to protect these amazing animals.

One of the pieces of art has been selected to be auctioned live by Steve Backshall at the For the Love of Sharks event at the Royal Geographical Society in London on the 29th November. In addition to this, two further pieces will be raffled at this event, giving people a chance to win an incredible piece of shark art. For the Love of Sharks is the Shark Trust’s flagship evening. A night to celebrate sharks. Steve Backshall is the headline speaker at this event that will see other prominent shark advocates join him on stage.

Tickets for the event can be snapped up here:

https://thesharktrust.org.uk/Event/flos24

Those that would like to see the Oceanic 31 exhibition have one final chance. It is being displayed at the Pavilion at the Royal Geographic Society from 26th November until the 7th December. Entry is free.

Find out more here:

https://www.rgs.org/events/upcoming-events/oceanic-31

 Paul Cox, Shark Trust CEO, Said “This exhibition has given us the opportunity to reach out to a new audience. And inspire more people with the wonderful sharks and rays on which our Big Shark Pledge campaign is based. We are immensely grateful to the 31 artists who have worked so hard to create these works.”

Bid for your favourite Oceanic 31 artwork here:
https://superstars-auctions.com/sharktrustauction


Banner Image: Smooth Hammerhead by Alicia Hayden

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